It was a real pleasure catching up, if only by email, with Vicki Attard, former and much admired principal of the Australian Ballet during the 1990s. Vicki was in Canberra over the past weekend to give master classes at the Canberra Dance Development Centre.

Below is the text of a Canberra Times article I wrote, which [...]

As part of my current research project into the career of Kristian Fredrikson, I came across four designs in the National Library’s Fredrikson collection labelled Sleeping Beauty Act I.  They were for four Princes: English, Indian, Russian and Saracen and so were clearly for the ‘Rose Adagio’. But I was a little puzzled by them [...]

While pursuing research into the career of designer Kristian Fredrikson I was surprised to find Fredrikson’s name mentioned in production credits for Yugen, Robert Helpmann’s 1965 one-act work for the Australian Ballet. Fredrikson, whose home base was Melbourne at the time Yugen was being created, is listed, along with William Miles, as having made the headdresses.
Gail [...]

I have commented elsewhere on this site and in The Canberra Times on the legacy tour of the Merce Cunningham Dance Company, now drawing to an end. The tour has generated all kinds of reviews over the almost two years of its run to date, not the least of which is a recent one by [...]

The Canberra Times recently published ‘Pushing 50 but still dancing’, my preview of the Australian Ballet’s 2012 season.
What didn’t get covered in that article was the Australian Ballet’s use of the term ‘triple threat’ in relation to the triple bill of new Australian works by Graeme Murphy, Stephen Page and Gideon Obarzanek, which is due to [...]

Back in May of this year I was lucky enough to see the exhibition of works by photographer E. O. Hoppé at the National Portrait Gallery in London. My post relating to that show concerned portraits of Margot Fonteyn and Olga Spessivtseva. The National Portrait Gallery’s show, Hoppé portraits: society, studio & street, closed shortly [...]

A comment from a New York friend and colleague, whose much admired teacher at the School of American Ballet was Anatole Oboukhoff, along with some subsequent correspondence with Anna Northcote’s niece, have prompted me to post the image below. It shows Oboukhoff with Vera Nemchinova and the captain of the R. M. S. Kenilworth Castle, the [...]

The following schedules and lists from the 1934–1935 tour by the Dandré-Levitoff Russian Ballet are taken from my article ‘The Dandré-Levitoff Russian Ballet 1934–1935: Australia and beyond’ published in Dance Research (Edinburgh University Press), 29:1 Summer 2011.
The information has been gathered from various sources including newspapers (advertisements and reviews) and programs. In particular the following newspapers provided [...]

What treasures are still to be found in archival repositories around the world! Still on the trail of Olga Spessivtseva in Australia, I went through the process of gaining access to the archives of the museum and library of the Paris Opera, now part of the National Library of France. With formalities completed, I discovered, [...]

Back in 1995 I wrote an article on Hélène Kirsova for Dance Research. During the course of writing that article I came across a clipping in the Kirsova Archive held by the National Gallery of Australia, in which it was reported that Kirsova had had to postpone a Sydney season planned for September 1944 because she [...]