12 February 2017, Sadler’s Wells, London It has been a while since I last saw Tanztheater Wuppertal live, so it was with some interest that I bought a ticket for Masurca Fogo (Fiery Mazurka). What struck me, pretty much instantly as the show began, was that there might be a lot of dancing in Masurca Fogo. And in fact there was.
11 February 2017, Royal Opera House, Covent Garden The printed program for Wayne McGregor’s Woolf Works gives the piece a subtitle: A Triptych. It is a perfect subtitle since Woolf Works consists of three separate pieces but, like a religious triptych, each separate part tells us something about an overall subject. In the case of Woolf Works this overall subject concerns
10 February 2017, Tate Modern, London The Robert Rauschenberg retrospective currently showing at London’s Tate Modern until 2 April, is a remarkable exhibition. It brims with the known from Rauschenberg—Monogram, the famous Angora goat with tyre; Bed made from a quilt when Rauschenberg had no money for canvas; the early Black Mountain experiments; the fascinating sound assemblage, Oracle; his silk
Following on from my earlier post, and the comments it attracted, about Lynn Seymour in Swan Lake in Melbourne in 1958, I am posting a copy of the signed photograph of Seymour taken by Walter Stringer. This is the photograph I mentioned in reply to a comment on that earlier post. This photograph was clearly taken from a downstage wing,
BOLD Festival, Canberra Canberra will be the venue for a bold new dance festival, which will take place over five days in March. Its scope is broad, its speakers and performers have wide-ranging experience across the art form, and it is supported by the nation’s major collecting agencies. Check the BOLD website for daily program and details of how to register.
22 January 2017 (matinee), Carriageworks, Eveleigh (Sydney). Sydney Festival 2017 The walk down the corridor to enter Bay 17 of Carriageworks for Champions was accompanied by the recorded sound of crowds cheering and referees’ whistles blowing. We entered the space through an arch of balloons and before us, on a green grass-like floorcloth, was a dancing mascot. The scene was
15 January 2017 (matinee), Carriageworks, Eveleigh (Sydney). Sydney Festival 2017 What a delight it was to see Dancenorth, whose home is in Townsville, North Queensland, and who are not all that often seen in southern parts. It was even more of a delight to see them (joined by some artists from the Japanese company, Batik) in a very theatrical production,
In February 2000 I wrote an article for National Library of Australia News on the dance photography of Walter Stringer, who before he died donated his very extensive collection of images to the National Library of Australia in Canberra. In the light of the recent discussion about the dancer portrayed in photos of Swan Lake in my recent post about the 1958
8 January 2017, Carriageworks, Eveleigh (Sydney). Sydney Festival 2017 Cry Jailolo and Balabala, both choreographed by Eko Supriyanto, were both danced by men and women from Jailolo, a remote town on the western side of the island of Halmahera in the Maluku Islands (formerly known as the Moluccas). Cry Jailolo, made for seven men, was perhaps the more theatrical of the
With the Royal Ballet preparing for a tour to Brisbane later in 2017, I have been delving into various research materials available in Canberra and Sydney to put together some thoughts about the first tour by the Royal Ballet to Australia and New Zealand, which began in 1958. The Royal Ballet made its first tour to Australasia in 1958−1959 performing