Lynn Seymour. The Royal Ballet tour of Australasia, 1958–1959

Following on from my earlier post, and the comments it attracted, about Lynn Seymour in Swan Lake in Melbourne in 1958, I am posting a copy of the signed photograph of Seymour taken by Walter Stringer. This is the photograph I mentioned in reply to a comment on that earlier post. This photograph was clearly taken from a downstage wing,

BOLD press release detail

Dance diary. January 2017

BOLD Festival, Canberra Canberra will be the venue for a bold new dance festival, which will take place over five days in March. Its scope is broad, its speakers and performers have wide-ranging experience across the art form, and it is supported by the nation’s major collecting agencies. Check the BOLD website for daily program and details of how to register.

Kristina Chan in 'Champions'. Photo: © Heidrun Lohr

‘Champions’. FORM Dance Projects/Martin del Amo

22 January 2017 (matinee), Carriageworks, Eveleigh (Sydney). Sydney Festival 2017 The walk down the corridor to enter Bay 17 of Carriageworks for Champions was accompanied by the recorded sound of crowds cheering and referees’ whistles blowing. We entered the space through an arch of balloons and before us, on a green grass-like floorcloth, was a dancing mascot. The scene was

Tatsuo Miyajima in 'Spectra'. Dancenorth 2017. Photo: © Prudence Upton

‘Spectra’. Dancenorth

15 January 2017 (matinee), Carriageworks, Eveleigh (Sydney). Sydney Festival 2017 What a delight it was to see Dancenorth, whose home is in Townsville, North Queensland, and who are not all that often seen in southern parts. It was even more of a delight to see them (joined by some artists from the Japanese company, Batik) in a very theatrical production,

Margot Fonteyn with Kelvin Coe and John Meehan in 'The Merry Widow', 1977. Photo Walter Stringer

Walter Stringer’s dance photography

In February 2000 I wrote an article for National Library of Australia News on the dance photography of Walter Stringer, who before he died donated his very extensive collection of images to the National Library of Australia in Canberra. In the light of the recent discussion about the dancer portrayed in photos of Swan Lake in my recent post about the 1958

Scene from 'Cry Jailolo'

‘Cry Jailolo’ & ‘Balabala’. Ekosdance Company, Indonesia

8 January 2017, Carriageworks, Eveleigh (Sydney). Sydney Festival 2017 Cry Jailolo and Balabala, both choreographed by Eko Supriyanto, were both danced by men and women from Jailolo, a remote town on the western side of the island of Halmahera in the Maluku Islands (formerly known as the Moluccas). Cry Jailolo, made for seven men, was perhaps the more theatrical of the

The Royal Ballet. Tour of Australia and New Zealand 1958–1959

With the Royal Ballet preparing for a tour to Brisbane later in 2017, I have been delving into various research materials available in Canberra and Sydney to put together some thoughts about the first tour by the Royal Ballet to Australia and New Zealand, which began in 1958. The Royal Ballet made its first tour to Australasia in 1958−1959 performing

Happy New Year

Dance diary. December 2016

Happy New Year May 2017 be a very happy and productive new year for all. My thanks to all those who have logged on to my site during 2016, and special thanks to those who have made comments throughout the year, or made contact in other ways. My Canberra dance picks for 2016 have already been published by The Canberra

The Golds in a scene from 'Great Sport!'

Dance picks 2016

Recently, arts writers and critics for The Canberra Times were asked to choose their top five shows for 2016 for publication immediately before and after Christmas. We wrote and filed our stories in mid-December and, for various reasons I chose only four productions. But mid-December was before the names of successful applicants for artsACT project funding were made public. The announcement

Ruth Osborne, 2016. Photo: © Lorna Sim

Ruth Osborne. Artistic director QL2 Dance

Ruth Osborne has been setting up and facilitating dance projects for the young people of Canberra since 1999. It was then that she was invited to come to Canberra from Perth to set up the Quantum Leap Youth Program for the Australian Choreographic Centre at Gorman House. Osborne had had an extraordinarily diverse dance career in Perth, involving teaching, directing