KAGE, 'Out of Earshot', 2017. Photo: © Jeff Busby

‘Out of Earshot.’ KAGE

9 June 2017, Chunky Move Studios, Melbourne. In conjunction with the Melbourne International Jazz Festival This work for four dancers and a drummer shook me up no end. It was often loud and often brightly lit. And you might think that the title referred to the fact that one of the dancers, Anna Seymour, was born profoundly deaf, and that

Artists of the Australian Ballet in 'Nutcracker', 2017. Photo Jeff Busby

‘Nutcracker. The Story of Clara.’ The Australian Ballet

10 June 2017 (matinee), State Theatre, Victorian Arts Centre, Melbourne A lot has been written over the years about Graeme Murphy’s Nutcracker—how it is an Australianised version of a well-loved classic, how it looks back to momentous events in Australian dance history, and so on. I am one of those lucky people who has seen every one of the seasons

Dance diary. May 2017

Canberra dance: funding news In the dire funding situation affecting dance artists across the country, it was a thrill to hear from Liz Lea that her third science show for schools, Reef UP!, has been funded by the Queensland Government under their Engaging Science Grant Program. Read more at this link. Lea, ever resourceful when it comes to collaborating and

Scene from 'Ocho'. Sydney Dance Company, 2017. Photo: © Pedro Greig

‘ORB.’ Sydney Dance Company

An expanded version of my Canberra Times review of ORB is below. The shorter review is as yet unpublished. [Update: The review appeared in print on 2 June 2017. Here is a link to the online version] Canberra Theatre, 25 May 2017 Full Moon, choreography Cheng Tsung-Lung, music Lim Giong, costume design Fan Huai-Chih, lighting design Damien Cooper. Ocho, choreography Rafael

Lorna Sim. Photographer

Lorna Sim is well-known in Canberra arts circles for her exceptional dance photography, and for her generosity in allowing her work to be used freely and frequently by journalists and others writing about dance. An exhibition of Sim’s work, entitled Enigma, specifically relating to a collaborative project she worked on with dancer Eliza Sanders, opens on 19 May 2017. The venue

From the poster image for 'La danseuse'.

Dance diary. April 2017

La danseuse. French Film Festival 2017 The publicity for La danseuse, which was shown around Australia during March and April as part of the 2017 Alliance française French Film Festival, assures us that the film is ‘based on a true story’, or sometimes ‘inspired by a true story’, about the now ‘largely forgotten’ Loïe Fuller. Well, it depends what part

Artists of Paris Opera Ballet in 'Herman Schmerman'. Photo: © Ann Ray/Opera national de Paris

‘Merce Cunningham. William Forsythe.’ Paris Opera Ballet

22 April, 2017, Palais Garnier, Paris Recently The Times (London) carried a short article entitled ‘Learn language while you wait for web page to load’. It concerned newly developed apps that ‘test you on vocabulary in idle moments, such as when you are connecting to a network or waiting for an instant message.’*  The timing of the article was serendipitous.

‘Faster.’ The Australian Ballet … again

15 April 2017, Joan Sutherland Theatre, Sydney Opera House It was a treat to see Tim Harbour’s Squander and Glory for a second time. This time I had the pleasure of seeing Vivienne Wong and Kevin Jackson dancing major parts, along with Jill Ogai and Jake Mangakahia, all of whom used their technical expertise to enhance Harbour’s choreography. I was once

Brett Chynoweth, Vivenne Wong and Kevin Jackson in 'Squander and Glory'. The Australian Ballet, 2017. Photo: © Daniel Boud

‘Faster.’ The Australian Ballet

10 April 2017, Joan Sutherland Theatre, Sydney Opera House The Australian Ballet’s latest program of three contemporary ballets is, artistically speaking, a very mixed bill. It certainly shows off the physical skills of company dancers, but choreographically it has its highs and lows. The program opened with Faster, a work by British choreographer David Bintley, which he made initially for the

Scene from Rachel Arianne Ogle's 'Of Dust'. Sydney Dance Company's New Breed season, 2016. Photo: © Pedro Greig

Dance diary. March 2017

Australia Council dance news During March the Australia Council announced the results of grant awards for international residences. I was especially interested to note that West Australian choreographer, Rachel Arianne Ogle, is the recipient of a residency at the Cité internationale des arts in Paris. I admired her work Of Dust at Sydney Dance Company’s 2016 New Breed season. In Paris she will