Those who have been following posts on this site relating to Nina Verchinina may be interested in an article published in the most recent edition of Brolga: an Australia journal about dance (issue 34, June 2011). This elegantly written article, rather lengthily entitled ‘Designing for Nina Verchinina’s choreographic vivacity: a new light on Loudon Sainthill’s [...]

In a letter written on 11 May 1934 to his mother, Alice Essex, in London the dancer Harcourt Algeranoff wrote:
‘Nina Verchinina is engaged to an American. I believe a rich one’.
The letter was written from Barcelona where Algeranoff was performing with Colonel de Basil’s Ballets Russes de Monte Carlo.
Read the full letter
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Michelle [...]

My article posted on 6 August 2009, Nina Verchinina: some Australian connections, has raised some issues about Verchinina’s marital status, or at least about the names of her partner or partners.

John Gregory, in his obituary in The Independent on 21 December 1995 states that Verchinina ‘…remained with that company [Ballet Russe de Monte Carlo] throughout the [...]

Nina Verchinina, born in Moscow in 1910 and brought up in Shanghai and Paris, began her performing career in Paris in 1929 with the company of Ida Rubinstein. Throughout the 1930s she danced extensively with the Ballets Russes de Monte Carlo under various directors including René Blum, Léonide Massine and Colonel Wassily de Basil.
Verchinina came [...]