Tag Archives: The Australian Ballet

The first part of Peggy!, the Australian Ballet’s tribute to the company’s founding director Dame Peggy van Praagh, may well have delighted her. Mark Annear’s Birthday Celebration, a work made originally to celebrate the 40th anniversary of the Australian Ballet School in 2004, was a joyous offering. Dame Peggy, who cared deeply about teaching and [...]

A Sydney tabloid recently described the Australian Ballet’s current production of Coppélia as ‘One for all the Betty Ballerinas’ and noted that it emphasised ’sugary narrative and formal technique’. The review was spot on — unfortunately, I have to say. Coppélia can actually be quite a moving experience. It certainly should be more than it [...]

Elsewhere on this website I made a comment that referred to Graeme Murphy’s The Silver Rose, which I saw just recently towards the end of its Sydney season by the Australian Ballet. My comment was in response to what I thought was an excellent argument about the new magazine Fjord Review, which also brought up [...]

When Stanton Welch’s Sleeping Beauty premiered in 2005 Amber Scott was a relatively new member of the Australian Ballet, having joined in 2001. In 2009, as a senior artist with the company, she danced the leading role of Aurora in the Australian Ballet’s revival of Welch’s work. Her appearance in this demanding role was something [...]

The Australian Ballet’s triple bill Concord is currently in its Sydney season. It’s at the Opera House until 30 November.
Wayne McGregor’s Dyad 1929 is as startling as ever, although the cast I saw did not manage to achieve the same degree of technical precision and sense of purpose that made the opening night in Melbourne [...]

When the Australian Ballet announced its 2010 season in September 2009, one of the most appealing aspects of the year long program was the prospect of a tribute season called Peggy! The ‘Peggy’ of the title is of course the Australian Ballet’s inaugural artistic director, Dame Peggy van Praagh. The program features works with which she [...]

‘Concord’ (Por vos muero, Scuola di ballo & Dyad 1929): The Australian Ballet, Melbourne, 21 August to 1 September 2009, State Theatre, Victorian Arts Centre

Tzu-Chao Chou & Lana Jones in Dyad 1929. Photo: Jim McFarlane. Courtesy: The Australian Ballet
The Australian Ballet finally hit the jackpot! In the dying months of its four year long celebration [...]

Nutcracker: The Australian Ballet, Sydney and Melbourne, 2009
The 2009 season of Graeme Murphy’s Nutcracker: the story of Clara has all but convinced me that this work is the closest thing we have in Australia to a dance masterpiece. It is, like all great works of art, a very giving work. It continues to reveal new [...]

Body Torque 2.2, The Australian Ballet, Sydney Theatre, Walsh Bay, 27-30 May 2009
Two works saved the Australian Ballet’s 2009 Body Torque season from drifting totally out of the memory the minute the curtain came down. They were Reed Luplau’s Bleecker and Remi Wortmeyer’s Fade Not. Both Luplau and Wortmeyer made very different works in every [...]