Dance diary. November 2016

…p to pursue her interest in developing dance projects for young people. More in a future post. Press for November 2016 ‘Wonderful version of Christmas classic.’ Review of The Nutcracker from Queensland Ballet. The Canberra Times, 25 November 2016, p. 37.  Online version. ‘Under the microscope.’ Preview of Nervous from Australian Dance Party. The Canberra Times —Panorama, 26 November 2016, p. 15. Online version. Michelle Potter, 30 November 2016 Fe…

Dance diary. November 2015

…Rebecca Jensen and Paea Leach. The eight finalists will each show a work, commissioned by the Keir Foundation, in Melbourne at Dancehouse in April 2016. Four works will then be selected by a jury and shown in Sydney at Carriageworks in May 2016, where the winner will be chosen. Bodenwieser Ballet Shona Dunlop MacTavish, former dancer with the Bodenwieser Ballet, recently visited Sydney from her home in New Zealand and, to celebrate the occasion,…

Ballet Noir. Mary-Jane O’Reilly and Company

…reflect the cultural and social contexts of their respective countries and companies. That’s a much richer complex than the binary of ballet/non-ballet. The really interesting professional dance companies in the world require equal strength and versatility in classical and contemporary techniques and interpretation, with dancers ready for whatever a choreographer might require. Ballet Noir straddles this perceived divide with great aplomb. It’s ve…

Dance diary. May 2019

…n the counter tenor mode) Shaun Parker registered a name: Shaun Parker and Company. Next year the company that bears that name will celebrate its 10th anniversary with, I believe, a special program. The company has just recently returned from the Middle East and Austria where Parker’s most recent production, KING, was performed. In the meantime, Parker is now working on a new show for young people, IN THE ZONE, which will premiere in Sydney this c…

Strings attached. Australian Dance Party

…musical accompaniment began, starting with some improvised movement and accompanying sound, moving on to a gentle piece with music by Jean-Baptiste Lully and a kind of slow and refined dance for all four dancers. The show continued its pathway through different musical and dancerly episodes—a lament, a tango, on to Jimi Hendrix with the dancers hooked up to iPods, and, finally, to an ‘Electronic Piece’ that became a riotous party/disco dance in w…

Moon Water. Cloud Gate Dance Theatre of Taiwan

…meditative calm and clarity as a single concept is explored—yet there’s an undertow of complexity and passion there for those who would see it. If you want novelty, fashion, sensation and display of virtuosity for its own sake, yawn yawn, you should probably look elsewhere. Moon Water performed by Cloud Gate Dance Theatre of Taiwan. Photo: © Liu Chen-Hsiang Cloud Gate’s movement vocabulary and aesthetic grows from the suppleness, strength and flow…

Sydney friends of the Ballets Russes. The Repin family

…d inspired so many. But what of the ‘feted and entertained’? Each city the companies visited had its complement of Australians who made it their business to find a way to entertain the dancers on weekends. Usually they also made a significant contribution to how we now understand those tours. In Sydney there was dermatologist Dr Ewan Murray-Will, for example, who entertained many of the dancers at his beach house at Bungan Beach just north of the…

Australian Dance Awards 2018 and 2019

…lara). He has worked with many Australian companies including Sydney Dance Company, Meryl Tankard Company, and the Australian Ballet and his contribution to Australia’s dance heritage is inestimable. His website, Stella Motion Pictures, is at this link. Below is a trailer for his documentary on Meryl Tankard. https://vimeo.com/27678893 Services to Dance Education Karen Malek (2018) Sue Fox (2019) Outstanding Achievement in Community Dance Tracks D…

2019–Dance Highlights from New Zealand

…t New Zealand can exchange and strengthen dance ties with Australia make sound common sense from artistic, economic and pedagogic points of view, and could only enhance international awareness of dance identity in our part of the world. Outstanding memories of 2019 here in Wellington started with the interesting residency of Michael Keegan-Dolan and his ensemble of dancers, working also with local students or free-lance dancers as he began prepara…

OUR land people stories. Bangarra Dance Theatre

…in the massacre. As they dispute territorial boundaries, they interact on, under, and around a long table. The movement is fast, dramatic, determined and confronting and makes astonishing use of the table. Another compelling scene shows Riley acting out Macquarie’s conflicted state of mind as he frantically scribbles down his diaries. It is a courageous statement by Sheppard. Beau Dean Riley Smith and Daniel Riley in a scene from Macq. Bangarra Da…