Nicoletta Manni as Kitri in Don Quixote. La Scala Ballet. Photo: Marco Brescia & Rudy Amisano. Courtesy Teatro alla Scala

Don Quixote. La Scala Ballet

7 November 2018. Lyric Theatre, Queensland Performing Arts Centre, Brisbane I thought I was reasonably familiar with the Nureyev production of Don Quixote, having seen the Australian Ballet’s production multiple times. But no! What La Scala Ballet gave us on its first-ever tour to Australia seemed like a completely different ballet. It was a very European production, in part due

Promotional image for QL2's Belong, 2018. Photo: Lorna Sim

Dance diary. October 2018

Belong. QL2’s Chaos Project for 2018 Every year Canberra’s young dancers audition for the Chaos Project staged by QL2. The umbrella name suggests the chaotic situation with which the project begins—in 2018 there were 45 young dancers, boys and girls, aged from eight upwards. But of course by the time the show hits the stage the chaos is gone and,

Artists of Sydney Dance Company in 'Forever & Ever', 2018. Photo: © Pedro Greig

Forever & Ever. Sydney Dance Company

17 October 2018. Roslyn Packer Theatre, Sydney On a double bill program it would be hard to find two dance works as diametrically opposed, or so it seemed on the surface, as Rafael Bonachela’s Frame of Mind and Antony Hamilton’s Forever & Ever. Together they made up Sydney Dance Company’s newest season, which goes under the umbrella name of Forever

Anca Frankenhaueser & Kailin Yong in MIST, 2018. Photo: © Art Atelier Photography

MIST. Anca Frankenhaeuser & Kailin Yong

12 October 2018. The Street Theatre, Canberra. Canberra Dance Theatre Stephanie Burridge first choreographed MIST in Singapore (where she lives and works) in 2016. She came to Canberra to oversee its staging as part of the 40th anniversary celebration for Canberra Dance Theatre, where Burridge was artistic director from 1978 to 2001. Its original cast was Kailin Yong, violinist and

From 1993 …

I was moved reading Jennifer Shennan’s recent review from Auckland’s Tempo Festival, in which she discussed Douglas Wright’s latest work, M_Nod, and in which she also referred to Wright’s current health issues. My mind went racing back to 1993—it was the year that Wright’s Gloria was first performed in Sydney as part of a Sydney Dance Company season. Those were the

Douglas Wright's 'M_Nod'

Between Two. Kelly Nash and Douglas Wright

5–13 October, 2018. The Vault, Q Theatre, Auckland. Tempo Dance Festival Reviewed by Jennifer Shennan Between Two is a tandem of two 15 minute choreographies. The first, Tipu, is by Kelly Nash. The second, M₋Nod, is by Douglas Wright. Although not designed as such, the two works act as prologue and epilogue to each other. It is a perfect program. Less

Australian Ballet dancers Ako Kondo and Chengwu Guo in 'The Sleeping Beauty'. Photo Jeff Busby

World Superstars of Ballet Gala. Bravissimo Productions

2 October 2018. Canberra Theatre The last ‘superstar’ ballet gala I saw was in New York in 2010. It featured eight male dancers and was called Kings of the dance. Such seasons are not common in Australia, but a new Canberra-based organisation, Bravissimo Productions, has made a commitment to remedying this situation. They have staged a two night, Canberra-only season

Dance diary. September 2018

What’s coming in 2019 Both the Australian Ballet and Queensland Ballet have announced their 2019 season programs and details can be found on their respective websites: The Australian Ballet; Queensland Ballet. Both companies have an exciting range of works to tempt us in 2019. I am especially looking forward to Dangerous Liaisons, a new work by Liam Scarlett for Queensland Ballet based

'Strong and Brave'. QL2 Dance, 2018. Photo: ©Lorna Sim

Strong and Brave. QL2 Dance & National Portrait Gallery

22 & 23 September 2018. National Portrait Gallery, Canberra The National Portrait Gallery in Canberra has once again supported dance as an adjunct to its exhibition program. In conjunction with So Fine, an exhibition celebrating work made by contemporary women artists, Ruth Osborne has created four short dance pieces under the umbrella title Strong and Brave. The four works reflect

Dancers from the Australian Ballet School in 'Alegrias'. Photo Sergey Konstantinov

Showcase 2018. The Australian Ballet School

22 September 2018. The Playhouse, Canberra Theatre Centre The Australian Ballet School’s annual Showcase came to Canberra this year, and what a treat it was. It is, of course, what it says it is, a showcase of dancing by students of different levels studying at the Australian Ballet School. But it was such an interesting and pleasurable experience to see