Michelle Potter is an independent dance writer, historian and curator with a doctorate in Art History and Dance History from the Australian National University. She is the recipient of two Australian Dance Awards, Services to dance in 2003 and Outstanding achievement in dance on film in 2001. More…

Latest News & Writing

Hannah O’Neill Although the Paris Opera Ballet’s website is still listing Australian Ballet School graduate Hannah O’Neill as a coryphée on its organisational chart, O’Neill is now a sujet with the company. Several French websites are carrying this news including Danser canal historique. O’Neill’s promotion took place as a result of a competitive examination, held at […]

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I have had an ongoing interest in archiving dance for almost three decades, fuelled in particular by curatorships at the National Film and Sound Archive and the National Library of Australia in Canberra, and the Jerome Robbins Dance Division at the New York Public Library for the Performing Arts. They were three quite different experiences, […]

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My review of Giselle with the Australian Ballet is now available on DanceTabs at this link. Artists of the Australian Ballet in Giselle. Photo: Jeff Busby, 2015 I am disappointed that I was not able to be more positive in this review. But the experience did set me thinking about the importance of every character […]

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My review of Sydney Dance Company’s new program, Frame of Mind, encompassing William Forsythe’s Quintett and Rafael Bonachela’s Frame of Mind, is now available on DanceTabs at this link. Chloe Leong and Sam Young-Wright in William Forsythe’s Quintett, Sydney Dance Company.  Photo: Peter Greig This program was ecstatically received on opening night, 9 March 2015 […]

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