17 January 2019. The Playhouse, Canberra Theatre Centre. Here is a slightly expanded version of my review of Coppélia in its storytime form. The review has already appeared in The Canberra Times online but is yet to appear in print. This Coppélia is the third production in the popular Storytime Ballet series produced for young people by the Australian Ballet.
All good wishes for 2019 and my grateful thanks to all who have visited this site over the past year, especially those who have taken the time to comment. And of course special thanks to my co-contributor, Jennifer Shennan, who throughout the year opened our eyes to what was happening in the New Zealand dance world. New artistic directors Both
In Canberra Below is a slightly expanded version of my year-ender for The Canberra Times published as ‘State of dance impressive and varied’ on 24 December 2018. I should add that The Canberra Times‘ arts writers/reviewers are asked to choose five productions only for their year-ender story. Looking back at 2018 I find, thankfully, that I don’t have to complain
by Jennifer Shennan As New Year approaches I like to think back over Old Year and, without consulting notes, check what dance highlights remember themselves. During 2018 we have lost four treasured and hugely important people from our dance / arts community. Nigel Boyes, dearest friend and colleague to so many dancers, particularly members of Royal New Zealand Ballet where
Selamat Hari Natal from the Island of the Gods where, at Christmas time, cultures meet and everything is possible. And where every day dance is part of life. Michelle Potter, 25 December 2018 Featured image: Balinese Barong (detail) as he appears in the Kris Dance. Other images from a Nusa Dua hotel. All images by Michelle Potter.
7 December 2018. Carriageworks, Sydney Dubboo. Life of a songman was a tribute to David Page, master musician and esteemed elder of the extended Page family, who died in 2016. Dubboo was his nickname (or one of them) and the theatrical tribute showed us much about the diversity of his life and the process by which his music came into
The changing face of Bangarra Dance Theatre Bangarra Dance Theatre has just announced that the company is saying farewell at the end of the year to six of its dancers: Waangenga Blanco, Daniel Riley, Tara Robertson, Kaine Sultan-Babij, Luke Currie-Richardson and Yolanda Lowatta. Each has made an amazing contribution to Bangarra over recent years. Who can forget Daniel Riley’s remarkable
by Jennifer Shennan Russell Kerr has been the treasured father of ballet in New Zealand since he returned here in 1957 after some years dancing in UK, where he had married fellow dancer, June Greenhalgh. His directorship of New Zealand Ballet in 1960s was a visionary and courageous one and his loyal contribution has continued in all the years since.
Innovation—contemporary program 22 November 2018. Te Whaea, Wellington by Jennifer Shennan This Graduation season offers two programs, Tradition (Ballet) and Innovation (Contemporary Dance), on alternate nights. Does this suggest that new choreography is expected only in the latter but not in the former? If anything, the opposite swing of the pendulum is needed, with a balance of heritage and newly
Tradition—classical program 21 November 2018. Te Whaea, Wellington by Jennifer Shennan New Zealand School of Dance is one school with two discrete streams, Classical Ballet and Contemporary Dance. Their Graduation season is always an uplifting affair as the fledgling dancers leave the nest where they have spent the past three years in intensive training. We can guess they’ll each be