Lorna Sim. Photographer

Lorna Sim is well-known in Canberra arts circles for her exceptional dance photography, and for her generosity in allowing her work to be used freely and frequently by journalists and others writing about dance. An exhibition of Sim’s work, entitled Enigma, specifically relating to a collaborative project she worked on with dancer Eliza Sanders, opens on 19 May 2017. The venue

From the poster image for 'La danseuse'.

Dance diary. April 2017

La danseuse. French Film Festival 2017 The publicity for La danseuse, which was shown around Australia during March and April as part of the 2017 Alliance française French Film Festival, assures us that the film is ‘based on a true story’, or sometimes ‘inspired by a true story’, about the now ‘largely forgotten’ Loïe Fuller. Well, it depends what part

Artists of Paris Opera Ballet in 'Herman Schmerman'. Photo: © Ann Ray/Opera national de Paris

‘Merce Cunningham. William Forsythe.’ Paris Opera Ballet

22 April, 2017, Palais Garnier, Paris Recently The Times (London) carried a short article entitled ‘Learn language while you wait for web page to load’. It concerned newly developed apps that ‘test you on vocabulary in idle moments, such as when you are connecting to a network or waiting for an instant message.’*  The timing of the article was serendipitous.

‘Faster’. The Australian Ballet … again

15 April 2017, Joan Sutherland Theatre, Sydney Opera House It was a treat to see Tim Harbour’s Squander and Glory for a second time. This time I had the pleasure of seeing Vivienne Wong and Kevin Jackson dancing major parts, along with Jill Ogai and Jake Mangakahia, all of whom used their technical expertise to enhance Harbour’s choreography. I was once

Brett Chynoweth, Vivenne Wong and Kevin Jackson in 'Squander and Glory'. The Australian Ballet, 2017. Photo: © Daniel Boud

‘Faster’. The Australian Ballet

10 April 2017, Joan Sutherland Theatre, Sydney Opera House The Australian Ballet’s latest program of three contemporary ballets is, artistically speaking, a very mixed bill. It certainly shows off the physical skills of company dancers, but choreographically it has its highs and lows. The program opened with Faster, a work by British choreographer David Bintley, which he made initially for the

Scene from Rachel Arianne Ogle's 'Of Dust'. Sydney Dance Company's New Breed season, 2016. Photo: © Pedro Greig

Dance diary. March 2017

Australia Council dance news During March the Australia Council announced the results of grant awards for international residences. I was especially interested to note that West Australian choreographer, Rachel Arianne Ogle, is the recipient of a residency at the Cité internationale des arts in Paris. I admired her work Of Dust at Sydney Dance Company’s 2016 New Breed season. In Paris she will

The three 'Ghost Figures' from 'Ghost Dances'. Queensland Ballet, 2017. Photo: © David Kelly

‘RAW’. A triple bill from Queensland Ballet

17 March 2017, Playhouse, Queensland Performing Arts Centre, Brisbane One of the most refreshing aspects of Queensland Ballet’s current vision is contained in its repertoire. If Li Cunxin can’t always give us a live musical accompaniment, as was the case with the RAW program, he will always present us, especially in a triple bill, with a program that is provocative

Anca Frankenhaeuser in 'Toccata', BOLD Festival. National Portrait Gallery, 2017

BOLD dances. National Portrait Gallery

10 March 2017, National Portrait Gallery, Canberra Canberra’s first BOLD Festival, a varied program of dance events over the period 8–12 March 2017, offered a wide-ranging series of activities. Those activities included performances in a variety of styles, as well as talks and discussions on a variety of topics. Dancers showed a range of skill sets and artists came from

Dance diary. February 2017

Australian Dance Party Canberra’s Australian Dance Party has announced some upcoming events/performances for 2017. Shake it will take place on 18 March in the courtyard of the National Film and Sound Archive as part of the Art Not Apart Festival. It will feature, in addition to Party dancers, a mixologist and a DJ. Autonomous will be played out in a

Mayu Tanigaito and Daniel Gaudiello in 'Carmen'. Royal New Zealand Ballet. Photo: © Stephen A’Court

‘Carmen’. Royal New Zealand Ballet

Reviewed by Jennifer Shennan 16 & 18 February 2017, Isaac Theatre Royal, Christchurch (opening of national tour) The first work on this program, l’Arlésienne, is over 40 years old, and the second, Carmen, is pushing 70 years. Both are dramatic one-act ballets by leading French choreographer, Roland Petit, hitherto only known by reputation here in New Zealand, or through film