Alessandra Ferri and Federico Bonelli. in Marguerite and Armand. The Royal Ballet. © ROH, 2017. Photo: Tristram Kenton

Obsidian Tear, Marguerite and Armand, Elite Syncopations. The Royal Ballet

18 April, 2018, Royal Opera House, London It would be hard to think of a more diverse triple bill than the most recent from the Royal Ballet: Wayne McGregor’s intellectually clinical Obsidian Tear, Frederick Ashton’s emotionally captivating Marguerite and Armand, and Kenneth MacMillan’s joyously entertaining Elite Syncopations. There is, as ever, little to fault technically with the dancing by this incredible company so

Brodie James, Lana Jones, Leanne Stojmenov and Jarryd Madden in 'Sheherazade'. The Australian Ballet 2018. Photo: © Jeff Busby

Murphy. The Australian Ballet … second viewing

14 April 2018 (matinee), Joan Sutherland Theatre, Sydney Opera House I had the pleasure of seeing Murphy for a second time, this time in Sydney at a mid-season matinee and in a top-notch seat (as a result of many years of subscribing and slowly moving forward into a great position). Much, if not all, that I wrote after the Melbourne opening

Abigail Boyle and Paul Mathews in 'The Piano. The Ballet'. Royal New Zealand Ballet, 2018. Photo: © Stephen A'Court

It never rains, it pours

…afterthoughts to Festivals in Wellington, and Auckland…and RNZB The Piano:the ballet by Jennifer Shennan Recent worldwide weather events have seen unprecedented extremes in both directions. As we cool down into autumn in New Zealand, we could be mindful of the northern hemisphere’s rite of spring (loads of daffodils apparently, but still cold and wet). We might all be wondering about

La Bayadère. Queensland Ballet

31 March 2018 (matinee), Playhouse, Queensland Performing Arts Centre, Brisbane Queensland Ballet’s La Bayadère is not the Bayadère you may have seen before. Choreographer Greg Horsman has reimagined the old story and created a new narrative set in India at the time of the British raj. The change is clear immediately one enters the theatre where a striking front cloth from designer Gary

Dance diary. March 2018

La Scala Ballet Queensland has scored another coup in its QPAC International Series with La Scala Ballet from Milan to perform in Brisbane in November 2018. The company will perform two works, Don Quixote (Nureyev production) and Giselle. Further details at this link. In the footsteps of Ruth St Denis Liz Lea’s film that follows the trail of Ruth St Denis

Nikki Tarling in 'Alone', 2018. Photo: © Lorna Sim

Alone. Jack Riley and artists

30 March 2018, Courtyard Studio, Canberra Theatre Centre Many words come to mind when thinking about Alone, a work by Jack Riley made on four dancers: confronting, demanding, mesmerising, mysterious, thought-provoking, physical, dangerous, even a little spooky at times. After a bit of silence while we contemplate a shape under a grey blanket, Alone begins with a bang! Riley enters

Alex Leonhartsberger as Jimmy O'Reilly and Rachel Poirier as Finola in 'Loch na hEala', Wellington, 2018. Photo: © Matt Grace/New Zealand Festival

Swan Lake—Loch na hEala. Michael Keegan-Dolan

St James Theatre Wellington, 14 March 2018 Choreography: Michael Keegan Dolan. Music: Slow Moving Clouds Reviewed by Jennifer Shennan It is revealing to read an interview with Michael Keegan-Dolan in the local press in which he admits that he thinks this latest production, Swan Lake—Loch na hEala, is his best work to date. Many an artist would say the latest work is

Artists of the Australian Ballet in ‘Grand’, 2018. Photo: Jeff Busby

Murphy. The Australian Ballet

16 March 2018. State Theatre, Victorian Arts Centre, Melbourne This program was a retrospective of works by Graeme Murphy and was in celebration of his long association with the Australian Ballet. The evening began with a brief film clip of Murphy talking about those moments for a choreographer, and by extension for a dancer and for the audience, when a

English National Ballet in Akram Khan's Giselle (c) Laurent Liotardo

Giselle. English National Ballet

1 March 2018, Aotea Centre, Auckland Reviewed by Jennifer Shennan Aforethoughts and Afterthoughts. English National Ballet’s season of Giselle, in an acclaimed new production choreographed by Akram Khan, has just played at the Auckland Arts Festival. The setting has migrant workers stranded after a clothing factory closes down, and the clash between workers and factory bosses echoes the contrast of

Liz Lea in the 'showgirl' sequence from RED, 2018. Photo: Lorna Sim

RED. Liz Lea Productions

8 March 2018, QL2 Theatre, Gorman Arts Centre, Canberra What follows is a slightly expanded version of my review for The Canberra Times of Liz Lea’s RED. A link to the online version of The Canberra Times‘ review is at the end of this post. The print version will appear next week. The pre-show media for Liz Lea’s new work