Michelle Potter is an independent dance writer, historian and curator with a doctorate in Art History and Dance History from the Australian National University. She is the recipient of two Australian Dance Awards, Services to dance in 2003 and Outstanding achievement in dance on film in 2001. More…

Latest News & Writing

18 October 2014 (evening), Royal Opera House, Covent Garden The prospect of four works by Frederick Ashton on the one program is something that fills those not brought up in an Ashton environment with anticipation. Of the four works on the Royal Ballet’s recent program, Scènes de Ballet, Five Brahms Waltzes in the Manner of Isadora […]

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I am pleased to note that my biography of Dame Margaret Scott, Dame Maggie Scott: a life in dance, is now available from Australian book shops and from the publisher, Text Publishing, Melbourne. It is also available as an e-book from the usual suppliers. Further details and a link to e-distributors are available on the […]

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18 October 2014 (matinee), Sadler’s Wells Theatre, London None of the works on Birmingham Royal Ballet’s triple bill program, Shadows of War, focuses on war itself. Rather the focus is on the effects of war on humanity. Of the three works, I have to admit that I was especially interested in Robert Helpmann’s Miracle in […]

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The Golds is the latest production from Sydney-based film maker, Sue Healey. It does much to strengthen her position as a leading maker of dance films in Australia. With an earlier career as a dancer and choreographer to inform her work, Healey is able to hone in on what is intrinsic to dance, as indefinable as those intrinsic […]

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