4 March 2022, Dairy Road Precinct, Canberra. Australian Dance Party (ADP) calls itself a site-specific company these days, and its most recent work, LESS, is an exceptional example of how this approach to the company’s productions plays out. Created and performed as part of Canberra’s annual Enlighten Festival and the 2022 BOLD Festival, LESS took place in and around a
February’s dance diary is all about what’s coming up in March (and later). What a thrill it is to have events scheduled with a live audience (fingers crossed of course!). BOLD 22 Canberra’s next BOLD Festival—the third in a remarkable series inaugurated and directed by Liz Lea—was scheduled originally for 2021. In fact two attempts were made for it to
12 February 2022, Roslyn Packer Theatre, Sydney Ever since I began watching productions by Bangarra Dance Theatre (around three decades ago), the aspect of their shows that I have most admired has always been the way in which a story is told through movement. Of course I have loved the fabulous visual and musical aspects of the productions as well—costumes, sets,
West Australian Ballet What a pleasure it is to be able to say that West Australian Ballet is turning 70 in 2022. It is the oldest ballet company in Australia and was founded in 1952 by the former Ballet Russes dancer Kira Abricossova Bousloff. The company gave its first performance in 1953 and turned professional when Rex Reid was appointed
What is it about Swan Lake? Looking back I have seen productions of this ballet across Australia and around the world. The Australian Ballet has had four different productions in its repertoire for a start—all quite different. Then I can’t leave out the production by the Borovansky Ballet in the 1950s and the two created in New Zealand that I
by Jennifer Shennan Louis Solino was for years a member of the celebrated José Limón Dance Company of New York. He later staged many works from that company’s talisman repertoire when a tutor at New Zealand School of Dance. Louis was partner of New Zealander Paul Jenden, both of them major contributors to Wellington’s theatre life. Early drawn to dance,
Season’s greetings Thank you to all those who have accessed this website over 2021. Your loyalty is much appreciated and I look forward to your visits, and comments, in 2022. Happy New Year and here’s hoping there will be more live performances for us to see in 2022. Dance and disability Canberra has long had a strong and diverse dance
I did not have the opportunity to see live dance outside Australia in 2021 although I came very close to getting to New Zealand to see Loughlan Prior’s Firebird for Royal New Zealand Ballet (everything was booked but had to be cancelled at the last minute)! But I did see a variety of performances from overseas companies in online screenings,
by Jennifer Shennan The year everywhere saw curtailment of a number of dance events but the resilience in dancers’ responses still gave us plenty of highlights to savour … Ballet Collective Aotearoa launched its long-awaited premiere season, Subtle Dances, in the Auckland and Dunedin Arts Festivals early in the year. Artistic direction of BCA by Turid Revfeim, to establish a
Evelyn Juers, The Dancer. A biography for Philippa Cullen. (Sydney: Giramondo Publishing, 2021) ISBN: 9781925818727; 592 pp RRP $39.95 This book by Evelyn Juers is spectacularly different from any biography I have read before, especially from any dance biography I have yet encountered. It is in essence the story of Philippa Ann Cullen (born Melbourne, Australia 1950; died Kodaikanal, India,