1 June 2022. Lennox Theatre, Riverside Theatres Parramatta What a thrill it was to see Francesco Ventriglia’s exciting choreography for his latest work, Galileo. The performance was absolutely absorbing to watch from beginning to end. Inspired by the amazing variety of ideas that Galileo Galilei studied in his life’s work as a scientist in late 16th to early 17th century
The Johnston Collection. On Kristian Fredrikson My talk for Melbourne’s Johnston Collection, Kristian Fredrikson. Theatre Designer Extraordinaire, will finally take place on 22 June 2022 just one year later than scheduled. No need, I am sure, to give a reason for its earlier cancellation. I am very much looking forward to presenting this talk, which will include short extracts from
26 May 2022. The Playhouse, Canberra Theatre Centre The constant in productions staged by QL2 for Quantum Leap, the organisation’s auditioned youth dance ensemble for ages 14-26, is the way the dancers are choreographed into groupings. The nature of the groupings varies of course from choreographer to choreographer and work to work, but we can always see groups forming and
Two dancers in search of a choreographer,travelling side by side, up their hills and down,moving well, tenants in common of their darker times,the set is the sides of a box they can shift about, climb through,sit on, sit in, drape over, lie in,though not a coffin since they are alive and determined to work through their times,surviving the lock-down—’We’re all
My first encounter with the choreography of Melanie Lane was in 2019 when her work WOOF was part of a Sydney Dance Company triple bill called Bonachela/Nankivell/Lane. WOOF, which two years earlier had been a hit in Sydney Dance Company’s New Breed program, was for me the outstanding work on the 2019 triple bill. I had also seen Lane perform,
7 May 2022 (matinee). Joan Sutherland Theatre, Sydney Opera House David Hallberg has given his directorship of the Australian Ballet a name, a conceptual idea, for us to ponder—’A New Era’. The company’s latest production, Kunstkamer, brings reality to Hallberg’s concept. Kunstkamer is a complete change for the Australian Ballet. It is a magnificent, brilliantly conceived, exceptionally performed work giving
Australian Dance Week 2022 Ausdance ACT has welcomed the beginning of Dance Week with an opening event held at Gorman Arts Centre, Canberra, on International Dance Day, 29 April. Following this celebratory opening, the ACT organisation has programmed a varied selection of events over the week until 8 May. The program reflects the current focus in the ACT on community
Dance for Ukraine, a humanitarian appeal to raise money for Ukraine and its people, was put together and directed by Alina Cojocaru (Romania) and Ivan Putrov (Ukraine). It was staged on 19 March 2022 at the London Coliseum and was streamed on Marquee TV making it accessible for those of us who live outside London. It was a great opportunity
2 April 2022. The Playhouse, Canberra Theatre Centre The work of Jake Silvestro defies categorisation. He is at once a dancer, a circus performer, a physical theatre artist, and a visual artist. All these qualities appear quite clearly in his solo show, December. As we enter the theatre for December, our eyes are drawn to a dimly-lit stage covered by
This is an expanded version of an obituary written by Jennifer Shennan and published in The Dominion Post online on 2 April 2022. Russell Kerr, leading light of ballet in New Zealand, has died in Christchurch aged 92. The legendary dancer, teacher, choreographer and producer influenced generations of New Zealand dancers. Kerr’s hallmark talent was to absorb music so as