There’s only one dance to report on from New Zealand this week—the haka taparahi, performed in the road in Christchurch, to leaders and members of the Muslim community, by members of Black Power, the bikers gang who do not ordinarily appear in public to demonstrate emotion in a dance. But these are not ordinary times. A haka like that is
15 March 2019. State Theatre, Victorian Arts Centre, Melbourne Dame Margaret Scott was farewelled with style and grace, and more than a little bit of emotion, in a memorial event arranged by the Australian Ballet and the Australian Ballet School and presented in Melbourne on 15 March 2019. It began with an initial surprise as we entered the auditorium of
3 March 2019. David H Koch Theater, Lincoln Center, New York It was Joan Acocella who wrote of Jerome Robbins in The New Yorker in 2001 that ‘…onstage his dancers act young, have young emotions, passing infatuations, passing sorrows. The picture is never adult, never this-is-what-life-is.’ Two works on the All Robbins program, Interplay and N.Y Export: Opus Jazz, fitted
2 March 2019. 92Y, New York (Harkness Dance Festival 2019) In 2019 the dance world is celebrating the centenary of the birth of Merce Cunningham with events across the globe. Most, not surprisingly, are being held throughout the United States. In Australia we had just one event, and I found it highly disappointing. So, it was a thrill to be
3 March 2019. Wellington Railway Station Foyer Choreography: Lucy Marinkovich/Borderline Arts Ensemble Performers: Hannah Tasker-Poland and Emmanuel ReynaudMusic: Sergei Rachmaninoff, Piano Concerto No.2 (Adagio) … after 1945 David Lean /Noel Coward film classic, Brief Encounter. Reviewed by Jennifer Shennan. You’ve reached the Wellington Railway Station. In 15 mins your train is due to leave for Waikanae, so there’s time, no great hurry. It’s
1-2 March 2019, Opera House Wellington Reviewed by Jennifer Shennan This program to open 2019 has four new and contrasting works that will appeal to audiences in different ways. The dancers, as always, give their all, but the production needs to settle down yet, and the lighting effects be reduced by perhaps 50%, if it is to source the power
Robert O’Kell Do you recognise the Santa Claus in the featured image for this post? No? Well it’s Robert O’Kell, former dancer with the Australian Ballet, West Australian Ballet and several overseas companies, who each year delights children as Santa Claus in a department store in Victoria. Following a request from a former pupil of O’Kell, and with the generosity
I was deeply saddened to hear of the death of Dame Margaret Scott on 24 February 2019. I was enormously privileged to have spent considerable time with her throughout 2014 as I wrote her biography for Text Publishing. Even before that, way back in 1993, I had the pleasure of recording an oral history interview with her for the National
The Russell Kerr lecture for 2019 was delivered in Wellington, New Zealand, on 10 February 2019 by Dr Ian Lochhead. Lochhead is dance critic for The Press, Christchurch, and formerly Associate Professor of Art History at the University of Canterbury. His lecture focused on the tours to New Zealand by the Monte Carlo Russian Ballet in 1937 and the Covent
Robert O’Kell Robert O’Kell danced with the Australian Ballet from 1962 to 1966 and then again in 1969. In 1971 he danced the role of the Indian Prince in a Rose Adagio staged by West Australian Ballet, which was the subject of an earlier post on this website. During a period of research at the National Library I chanced upon