On streaming The current corona virus situation has given us many opportunities to see streamed productions from many of the world’s best companies. Some have been thrilling, and have been works, or have involved casts, that I am unlikely to see outside this streaming arrangement. One or two, however, have left me wondering. The Australian Ballet’s decision to stream its
Art must prevail The standout performance for me in the third week of Queensland Ballet’s fundraising project was A Day at the Theatre. Choreographed and performed by Company Artists Alyssa Kelty and D’Arcy Brazier, it was a jazzy danced tour around QPAC from the stage door to the stage itself and around the parkland areas outside the QPAC buildings. I
I have been a fan of Lois Greenfield’s dance photography for some years now. As a matter of fact, three of her images hang in my study and I also had the pleasure of visiting her in her New York studio and buying a small selection of her work for the Jerome Robbins Dance Division when I was working there.
Art must prevail In the second week of offerings in Queensland Ballet’s 60 dancers: 60 stories, what is there not to like about ‘Self Portrait’ by Chiara Gonzalez—seen above in the featured image? As for the floor cloth by the time she had finished dancing—well, eat your heart out Jackson Pollock! And I loved that her take on the theme
I had the pleasure recently of watching, via its digital streaming season, a performance by the Royal Ballet of Frederick Ashton’s La Fille mal gardée. It featured Marianela Nuñez as Lise and Carlos Acosta as Colas and dates back to 2005. The partnership between Nuñez and Acosta was technically outstanding and delightful from the point of view of the interactions
The first thing I did after watching Garry Stewart’s Devolution (created in 2006) was go to the dictionary to check exactly what ‘devolution’ meant. In its most straight forward meaning, the dictionary (The Macquarie Dictionary is my go-to hard copy source) says ‘the transfer or delegation of power or authority’. But it appears to have a biological meaning, that is
Art must prevail In something of a pioneering move, Queensland Ballet has set up a project called 60 dancers: 60 stories to manage the COVID-19 situation. It is in part a fund raising move and a field requesting donations is present at various stages—and why not? The arts have been badly hit in more ways than one and 60 dancers:
Comment by Jennifer Shennan The proposed Bubble between Australia and New Zealand for health, travel and trade purposes sits comfortably on the Anzac matrix in our common history. There’s a long weave of dance exchanges and interactions between Australia and New Zealand over many decades—tours from the 1950s by the Melbourne-based National Theatre Ballet of the first full-length Swan Lake
Australian Dance Awards Nominations are now open for the Australian Dance Awards, 2018 and 2019. You may recall that in 2019 the awards for 2018 were cancelled because of funding issues, so the 2020 nominations are in two parts, one for the various categories in 2018, the other for last year’s work. Ausdance National is collaborating with sponsors and the
I saw this program twice in 2013 and have to admit that, apart from outstanding performances by one or two dancers in each of the casts I saw, I was somewhat underwhelmed. But this screening by the Australian Ballet as part of its 2020 digital season left me absolutely thrilled. The Paquita we see is really an excerpt from a