12 November 2025 (matinee). Joan Sutherland Theatre, Sydney Opera House The Australian Ballet is looking spectacular, if the dancing in Prism is anything to go by—Prism is a triple bill, with works from Jerome Robbins (Glass Pieces), Stephanie Lake (Seven Days), and William Forsythe (Blake Works V. The Barre Project). At the performance I saw the standard of dancing was
11 November 2025. Drill Hall Gallery, Canberra Dance in Canberra in the twelve months from October 2024 and September 2025 was recognised with three awards by the Canberra Critics’ Circle. Awardees were Alison Plevey and Sara Black, Ausdance ACT, and Akira Byrne from QL2 Dance. The following citations give details: For the exceptional production of a solo dance work, Essor (translation: Thank
30 October 2025. St. James Theatre, Wellingtonwith New Zealand Symphony Orchestrareviewed by Jennifer Shennan Royal New Zealand Ballet’s Artistic Director, Ty King-Wall, has created a new production of The Nutcracker, a fun-filled frolicking entertainment set among images of New Zealand landscape, flora and fauna, childhood summer holidays in the bach, games on the beach, with sweets and treats for a
Liz Lea has just announced news of an upcoming production, Diamond, on which she is currently working. Diamond is the next in a trilogy of works she is developing and follows on from the first work in that trilogy—RED. RED was an exceptional production first seen in 2018 (read the review at this link). After its Australian presentation, it toured
24 October 2025. Belconnen Arts Centre, Canberra It is interesting to watch QL2 Dance as it evolves under new director Alice Lee Holland. Productions take place in different spaces now. There seem, too, to be fewer dancers than previously, although I could be imagining that. Costumes seem to be more complex and differ more from work to work, although there
My review of ECDysis was published online by Canberra CityNews on 26 October 2025. The review below is a slightly enlarged version of the CityNews post. Here is a link to the CityNews review. *********************************** 25 October 2025. Courtyard Studio. Canberra Theatre Centre ECDysis celebrates Elizabeth Cameron Dalman’s decades of dance creation and performance. Dalman founded Adelaide-based Australian Dance Theatre (ADT) 60 years ago. She
22 October 2025. Roslyn Packer Theatre, Walsh Bay (Sydney) I loved the title of Sydney Dance Company’s latest production—Continuum. It was a triple bill of works from three choreographers, Stephen Page, Rafael Bonachela and Tra Mi Dinh and It encouraged me to think on the development (and continuation) of the choreographic and dancerly art that has characterised Sydney Dance Company
Critical Path, the Sydney-based centre for research into and development of dance, which Canberra-based dance artist Liz Lea has referred to as ‘such a creative force’, was set up in 2005. It will celebrate its 20th anniversary in mid-November with a three-day, free event, Every Wild Idea. The event will take place in the Drill Hall, headquarters of Critical Path
It is always interesting to see the impact a change in artistic directorship has on the repertoire of a dance company. Newly appointed director of Queensland Ballet, Spanish-born Ivan Gil-Ortega, has announced a program for 2026 in which Queensland Ballet will perform works from a range of overseas-based choreographers, reflecting Gil-Ortega’s strong European background and dance heritage. Christian Spuck from
My review of Resonance was published online by Canberra CityNews on 11 October 2025. The review below is a slightly enlarged version of the CityNews post. Here is a link to the CityNews review. *********************************** 10 October 2025. Courtyard Studio, Canberra Theatre Centre Choreographer James Batchelor has a particular interest in how approaches to dance are passed down from generation to generation. Audiences caught a