Subtle Dances. BalletCollective Aotearoa with New Zealand Trio

8 & 9 April 2021. Bruce Mason Theatre, Takapuna, AucklandAuckland Arts Festivalreviewed by Jennifer Shennan This long-awaited premiere season of a new contemporary ballet company, BalletCollective Aotearoa, was nothing short of a triumph. Come the curtain-call, many in the sizeable audience were on their feet to salute the choreographers and composers, the dancers, musicians and designers, the courage and commitment—the

Dance diary. March 2021

Promotions at Queensland Ballet Neneka Yoshida and Patricio Revé were both promoted to principal dancers during the Queensland Ballet’s 60th Anniversary Gala held in March 2021. Both have been dancing superbly over the past few years. Yoshida took my breath away as Kitri in the Don Quixote pas de deux at the Gala and Revé I remember in particular for

Third Practice. Tero Saarinen Company with Helsinki Baroque Orchestra

Digital season, March–April 2021 When thinking about Tero Saarinen’s Third Practice, it helps to know (which I didn’t before reading up prior to watching) where the title comes from. Third Practice is performed to madrigals by Italian composer Claudio Monteverdi, played and sung by members of Helsinki’s Baroque Orchestra. Monteverdi’s musical style was referred to by his contemporaries as ‘second

Transfigured Night. Ballet Collective Aotearoa & Chamber Music New Zealand

15 March 2021, Michael Fowler Centre, Wellingtonreviewed by Jennifer Shennan This was an evening of triumph on several levels. Transfigured Night is the first of six concerts in Chamber Music New Zealand’s nationally touring programme for 2021. Audiences in ten cities will have the chance to witness a performance of light and colour, wit and freedom, deep beauty and poignant

Olivia Fyfe in 'Symbiosis' (4) Australian Dance Party 2021. Photo Michelle Potter

Symbiosis. Australian Dance Party

10 March 2021, Australian National Botanic Gardens, Canberra Symbiosis was Australian Dance Party’s contribution to Canberra’s Enlighten Festival for 2021. Made in true ADP style as a site-specific work, it took place in various parts of the Australian National Botanic Gardens. It was in fact a guided tour through the Gardens with snippets of dance, music and poetry, and even

Moon Water performed by Cloud Gate Dance Theatre of Taiwan. Photo: © Liu Chen-Hsiang

Choreographing a way through lockdown. Some thoughts

by Jennifer Shennan In all the upheavals of 2020 ̶ 21, there has been a seismic range of responses to Covid-induced constraints from dance companies, artists, entrepreneurs and media worldwide. Film-makers and videographers have engaged with choreographers and dancers as never before, and the results have been in some cases breathtaking. Plenty of companies initially took a standard line of

60th Anniversary Gala. Queensland Ballet

5 March 2021. Playhouse, Queensland Performing Arts Centre, Brisbane The opening night of Queensland Ballet’s 60th Anniversary Gala began with film footage examining, briefly, aspects of the contributions made to the company by the five artistic directors who have led the company to date: Charles Lisner, founding director (1959-1974); Harry Haythorne (1975-1978); Harold Collins (1978-1997); François Klaus (1998-2012); and current

Firestarter. The story of Bangarra

Firestarter, documenting the origins and rise of Bangarra Dance Theatre, is filled with emotion—from joy to sadness and everything in between. But leaving the emotions to one side for the moment, I was utterly transfixed by two political moments that were part of the unfolding story. The first was footage of former Prime Minister Paul Keating giving his famous ‘Redfern

Dancers of the Ballet du grand Théâtre de Genève in Francesco Ventriglia's Transit Umbra, 2010. Photo: © Vincent Lepresle

Dance diary. February 2021

Sydney Choreographic Centre To establish a new choreographic venture, the Sydney Choreographic Centre, Francesco Ventriglia, formerly artistic director of Royal New Zealand Ballet, has returned to the southern hemisphere after leaving New Zealand ‘to pursue opportunities overseas’. The Centre, co-founded by Neil Christopher as its general manager, is located in the Sydney suburb of Alexandria and will open in March

Emily Seymour, Jacopo Grabar, and Rhys Kosakowski in 'Impermanence'. Sydney Dance Company and the Australian String Quartet, 2021. Photo: © Pedro Greig

Impermanence. Sydney Dance Company

17 February 2021. Roslyn Packer Theatre, Walsh Bay A year ago Sydney Dance Company was just days away from its first program for 2020, which was to include a new work, Impermanence, by Rafael Bonachela as part of a mixed bill program. But the pandemic struck and the program was cancelled. Impermanence was being created to a score co-commissioned by