The Sleeping Beauty. Royal New Zealand Ballet (2026)

With New Zealand Symphony Orchestra 29 October 2026. St James Theatre, Wellingtonreviewed by Jennifer Shennan This season of The Sleeping Beauty is a restaging of RNZB’s spirited production from 2011, and artistic director Ty King-Wall has ingeniously invited back a number of the original players for the project. That’s not just a matter of nostalgia but brings mana to the

Dance diary. October 2026

‘Everyone thinks about quitting, even the strong. Breathe, then take one more step.’ So says a card in a packet of Kurrajong Kitchen Biscuits (believe it or not)! After an abusive and ignorant message on a Facebook page from Quantum Leap Australia about me and my reviewing, the message above from the packet of biscuits came at just the right

Book review: The Lucky Son, by Li Cunxin (Penguin 2026)

reviewed by Jennifer Shennan Li Cunxin, known from his memoir and the associated film as Mao’s Last Dancer (Viking/Penguin 2003) now goes by another name as well—The Lucky Son, which is the title of his memoir sequel, recently published (Penguin, 2026). This second book, artfully because briefly, summarises the first one for anyone who may not have read it, and

MOUNTAIN. Melanie Lane and Colleagues

17 October 2026. The Playhouse, Canberra Theatre Centre Melanie Lane’s MOUNTAIN is, once again, a magnificent example of the work of an exceptional choreographer. Lane has a huge ability to create a complete work of art in which the audience can become fully immersed. Made on five dancers, in this case Sara Black, Max Burgess, Tyrel Dulvarie, Madeleine Bowman and

A Road Trip with Anna Pavlova

by Jennifer Shennan The intrepid Russian ballet dancer, Anna Pavlova, said goodbye to the Maryinksy in St. Petersburg where she had trained and performed to great acclaim, then joined Diaghilev’s Ballets Russes company dancing Giselle, Les Sylphides, Pavillon d’Armide, and more besides. She was offered the title role in the creation of Fokine’s l’Oiseau de Feu/The Firebird but did not

We Come Together to Dance. Quantum Leap Australia

My review of We Come Together to Dance was published online by CBR CityNews on 17 October 2026, following its premiere performance on 16 October. The review below is a slightly enlarged version of the CityNews post. Follow this link to the CityNews review. ****************** 16 October 2026. Belconnen Arts Centre, Canberra We Come Together to Dance is the 2026 production for Quantum Leap Australia’s Chaos project.

Arangetram. Varshita Pasupuleti

Little Theatre, Lower Hutt. 27 September 2026reviewed by Jennifer Shennan Varshita is a graduating student from Mudra Dance Academy in Wellington, where for over 30 years Sri Vivek Kinra has taught hundreds of pupils the technique and art of Bharata Natyam, classical Indian dance. Himself a graduate of the renowned Kalakshetra school in Chennai, Vivek has prepared close to 50 pupils to perform their arangetram—a

Melanie Lane. A new move

News just in is that Melanie Lane will take on the leadership of the Melbourne-based contemporary dance company, Lucy Guerin Inc, beginning in 2027. Guerin recently announced that she is retiring from the artistic directorship of the company she has led for 25 years. The company will take on a new name once Lane takes on the role. The appointment

Dance diary. September 2026

Early in September I had the pleasure again of seeing a performance from the Bachelor of Creative Arts second and third year students in Dance from the Adelaide College of the Arts, working together with fellow students in Technical Production & Design. I wondered, I have to andmit, about the name of the work. Who was Maisey? Well, it seems

The Whole Cake. Vivienne Rogis

My review of The Whole Cake was published online by CBR CityNews on 28 September 2026, following its premiere performance on 27 September. The review below is a slightly enlarged version of the CityNews post. Follow this link to the CityNews review. ************************* 27 September 2026. The Hall Pavilion, Hall ACT It would be hard to envisage a more unusual dance performance than The Whole Cake. Created