Glory Tuohy-Daniell, Rika Hamaguchi and Lillian Banks in SandSong. Bangarra_Dance Theatre 2021. Photo © Daniel Boud

SandSong. Bangarra Dance Theatre

11 June 2021, Drama Theatre, Sydney Opera House SandSong. Stories from the Great Sandy Desert begins with some black and white footage that is instantly confrontational. Moving sharply from one event to another, and accompanied by an exceptionally loud sound score, it shows some of the atrocities endured by the Indigenous inhabitants of the Kimberley region over an extended period

Daniel Riley. Australian Dance Theatre’s incoming artistic director

The dance world is agog with the news that Daniel Riley is to take over the directorship of Australia’s longest standing contemporary dance company, Australian Dance Theatre, when Garry Stewart retires from the role at the end of 2021. Riley traces his bloodline to the Wiradjari clan of Western New South Wales, particularly around Wellington and Dubbo. As such he

The Sleeping Beauty. Queensland Ballet (2021)

4 June 2021. Lyric Theatre, Queensland Performing Arts Centre, Brisbane I last saw Greg Horsman’s production of The Sleeping Beauty for Queensland Ballet (originally made for Royal New Zealand Ballet) back in 2015. Then I made a flying, unanticipated trip to Brisbane because I needed to see a different version from the one created by David McAllister for the Australian

Lucette Aldous, AC (1938-2021)

One of Australia’s best known and most admired ballerinas, Lucette Aldous, has died in Perth at the age of 82. New Zealand-born, Lucette Aldous trained in Brisbane with Phyllis Danaher and then in Sydney at the Scully-Borovansky School where her main teacher was Kathleen Danetree. She was awarded the Frances Scully Scholarship to continue her training overseas and entered the

Te Mauri o Pōhutu. Kia Mau Festival

Fridays through June, 2021. Toi Poneke Arts Centre Gallery, Wellington…from Jennifer Shennan At Toi Poneke Gallery last Friday evening, we watched Te Mauri o Pōhutu (The Life-Force of Pōhutu) , a lyrical duo performed by Bianca Hyslop and Paige Shand, with vocals by Tūī Matira Ranapiri Ransfield, with Rowan Pierce as sound and spatial designer. The event, with an extended

Dance diary. May 2021

As I write this month’s dance diary, Australia is in the middle of National Reconciliation Week and today is a public holiday in the ACT. National Reconciliation Week is a reflective time to explore shared histories, cultures, and achievements, and to examine ways in which reconciliation between Indigenous and non-Indigenous Australians might be achieved. It seems appropriate then to begin

New York City Ballet 2021 Spring Gala. On film

New York City Ballet’s most recent offering in its series ‘From our home to yours’ was a film directed by Sofia Coppola based on a concept by Coppola and Justin Peck. It consisted of excerpts from two works by George Balanchine, Duo Concertant and Liebeslieder Walzer; an excerpt from Jerome Robbins’ Dances at a Gathering; a new work, Solo, choreographed

REBEL. Then. Now. When? Quantum Leap Ensemble

20 May 2021. The Playhouse, Canberra Theatre Centre The latest offering from the Quantum Leap Ensemble, an intrinsic part of the structure of Canberra’s QL2 Dance, has the title REBEL (short version). For a while I thought of this as a noun—who has not been a rebel at some stage in one’s life? But, as the work unfolded, it was

A Tiwi woman dancing

… from Jennifer Shennan There are perhaps 1,000 images in the iconography I have assembled over decades from my interest in the anthropology of dance and in world dance traditions. I was encouraged in this project by my teacher, Professor Roderyk Lange, whose publications demonstrate his encyclopaedic knowledge of dance in many times and places.  Of all these images, there is one I return to again and again, believing it to be the

Rainbow Serpent. Canberra International Music Festival 2021

9 May 2021, James O. Fairfax Theatre, National Gallery of Australia Rainbow Serpent was the overarching title given to the penultimate program of the 2021 Canberra International Music Festival. It featured four distinctive works of music and dance. Two focused on the myth of the Rainbow Serpent as understood, on the one hand, by the Murrawarri people whose land straddles