My latest book, Glimpses of Graeme. Reflections on the work of Graeme Murphy, is now available at the FortySouth online store. This is a ‘niche book’ and only 350 copies have been printed. Buy your copy soon. Here is the link. Michelle Potter, 4 October 2022
This month’s dance diary has, with one significant exception, a Canberra focus, from news about writing by Canberra-based authors (including me) to performances generated, or soon to be performed from within the ACT. Glimpses of Graeme My book, Glimpses of Graeme. Reflections on the work of Graeme Murphy, is currently being printed and will be available shortly from the Hobart-based
29 September 2022. Canberra Theatre Centre The various media statements about Savage, Daniel Riley’s first work as artistic director of Australian Dance Theatre, leave us wondering just exactly what the work will be like. How will a dance performance deal with what one media statement says is a ’confronting exploration of the notions of myth and identity, [examining] our fundamental
Marquee TV is streaming for a limited time a ticketed program, for which I paid just over AUD 10, called Nureyev. Legend and Legacy. As a live show it happened in London early in September at the Theatre Royal, Drury Lane. Reproduced to honour Rudolf Nureyev, it was directed by former Royal Ballet principal Nehemiah Kish and included works in
9 September 2022. QL2 Theatre, Gorman Arts Centre, Canberra The title of this work may give the impression that is about violence, abusive content, or any other of the somewhat damaging notions that are contained in the more common, singular phrase ’explicit content’. This was not the case with Explicit Contents, the dance work, as I understood it, although a
Shirley McKechnie, who has died in Melbourne at the age of 96, was one of Australia’s most influential dance educators. Born Shirley Elizabeth Gorham, she was educated at Albion State School and Williamstown High School. After matriculating from secondary school, and with the prospect of a career in science, began work in Melbourne in the research laboratories of the Melbourne
David Hallberg has put together an interesting selection of works for the Australian Ballet’s 2023 season. Perhaps most interesting, or perhaps surprisingly unexpected, is a double bill called Identity, which will be seen in Sydney in May and Melbourne in June. Identity will feature two new works, The Hum from Daniel Riley and Paragon from Alice Topp. Topp is currently
Cranko. The Man and his Choreography. A new book A new book, Cranko. The Man and his Choreography by Ashley Killar is due to be released in London next month. Killar, who danced extensively with Stuttgart Ballet when John Cranko was the company’s artistic director, presents a detailed and extensively researched analysis of the life and career of Cranko, going
While in New Zealand to see Royal New Zealand Ballet’s Cinderella, I had the pleasure of engaging in an extended conversation with choreographer Loughlan Prior. Not unexpectedly, much of the conversation focused on his production of Cinderella, a production dense with allusions of various kinds. One aspect of the production that intrigued me was the references to Swan Lake that
10 August 2022. Kiri Te Kanawa Theatre, Auckland Choreographer Loughlan Prior was born and educated in Australia before moving to New Zealand for further dance training. He is now a dual citizen of those countries and his latest work for Royal New Zealand Ballet, where he has been choreographer in residence since 2018, is a production of Cinderella. But it