Bangarra’s 2023 season will see the revival of the Dance Clan series for the first time in ten years. The series began in 1998 and fostered new work by choreographers, dancers and designers, most of whom were emerging artists in those fields. Artists whose careers were advanced by appearances in Dance Clan performances have included Deborah Brown, Tara Gower, Yolande
22 October 2022. National Portrait Gallery, Canberra Once again the National Portrait Gallery has hosted a dance event associated with a current exhibition, the Gallery’s Who are you? Australian Portraiture. The aim of the performance, which was composed of six short works, was ‘to animate emotions and situations reflected in the portraits, expanding on still moments captured in the frames.’
14 October 2022. Canberra College Theatre. The Chaos Project, 2022 The Chaos Project for 2022 had some features that were a little different from previous Chaos seasons. The most obvious difference, and one that had an effect on how the show appeared (at least to me), was the age range of the dancers. In 2022, QL2 Dance opened its classes
My latest book, Glimpses of Graeme. Reflections on the work of Graeme Murphy, is now available at the FortySouth online store. This is a ‘niche book’ and only 350 copies have been printed. Buy your copy soon. Here is the link to the FortySouth store. Glimpses of Graeme will be launched in Hobart on 18 November at which MADE (Mature
This month’s dance diary has, with one significant exception, a Canberra focus, from news about writing by Canberra-based authors (including me) to performances generated, or soon to be performed from within the ACT. Glimpses of Graeme My book, Glimpses of Graeme. Reflections on the work of Graeme Murphy, is currently being printed and will be available shortly from the Hobart-based
29 September 2022. Canberra Theatre Centre The various media statements about Savage, Daniel Riley’s first work as artistic director of Australian Dance Theatre, leave us wondering just exactly what the work will be like. How will a dance performance deal with what one media statement says is a ’confronting exploration of the notions of myth and identity, [examining] our fundamental
Marquee TV is streaming for a limited time a ticketed program, for which I paid just over AUD 10, called Nureyev. Legend and Legacy. As a live show it happened in London early in September at the Theatre Royal, Drury Lane. Reproduced to honour Rudolf Nureyev, it was directed by former Royal Ballet principal Nehemiah Kish and included works in
9 September 2022. QL2 Theatre, Gorman Arts Centre, Canberra The title of this work may give the impression that is about violence, abusive content, or any other of the somewhat damaging notions that are contained in the more common, singular phrase ’explicit content’. This was not the case with Explicit Contents, the dance work, as I understood it, although a
Shirley McKechnie, who has died in Melbourne at the age of 96, was one of Australia’s most influential dance educators. Born Shirley Elizabeth Gorham, she was educated at Albion State School and Williamstown High School. After matriculating from secondary school, and with the prospect of a career in science, began work in Melbourne in the research laboratories of the Melbourne
David Hallberg has put together an interesting selection of works for the Australian Ballet’s 2023 season. Perhaps most interesting, or perhaps surprisingly unexpected, is a double bill called Identity, which will be seen in Sydney in May and Melbourne in June. Identity will feature two new works, The Hum from Daniel Riley and Paragon from Alice Topp. Topp is currently