11 July 2019. Te Auahi, Wellington reviewed by Jennifer Shennan Chocolate completes the quartet of shows choreographed these past few years by Sacha Copland for her Java Dance Company. Labelled the Artisan series, ‘a culinary investigation into culture’, each work has been themed for one of the undeniable essentials of a good life—bread (Rise), wine (The Wine Project), cheese (The
by Jennifer Shennan9 July 2019. New Zealand School of Dance An armchair conversation with Sir Jon Trimmer was the brainchild of Garry Trinder, Director of New Zealand School of Dance. It was held in the theatre at Te Whaea, mid-week of the school’s winter intensive national seminar, so that many young students, parents and teachers could attend. It was
29 June 2019. State Theatre, Victorian Arts Centre This production was yet another re-imagining of Swan Lake. It centres, we are told, on the choice between good and evil and on connections to our childhood fears and nightmares, all against ‘a Machiavellian family backdrop’. It began with a short film clip in which the story we were to see on
Shona Dunlop MacTavish (1920-2019) The death of Shona Dunlop MacTavish in Dunedin, New Zealand, on 18 June at the age of 99 sent me back to her autobiography, Leap of faith. It was published in 1997 and the early sections give a fascinating account of her schooldays in New Zealand and her time in Europe over four years beginning 1935.
21 June 2019. The Q, Queanbeyan The Dinner Party has had a couple of manifestations. Choreographed by Natalie Weir for Expressions Dance Company, it was shown in 2015 as The Host. I suspect, however, that the inspiration for it can be traced back much further to 1989 when Janet Karin commissioned Weir to make a short work for the National
13 June 2019. Drama Theatre, Sydney Opera House Bangarra Dance Theatre is 30 years old this year and its latest program, 30 years of sixty five thousand, celebrates that anniversary. It also acknowledges the extent of the heritage on which the company is built, and to which it looks for inspiration. First up on the program was a revival of
7 June 2019. Opera House, Wellingtonreviewed by Jennifer Shennan The same only different. c. 1590—Shakespeare sets Romeo & Juliet in c.1390 Verona (and the town is happy to remember that still). Poetry tells the drama of youth, rivalry between the gangs Montague and Capulet, loyalties demanded, much street fighting, boy and girl in love affair doomed from the start.
31 May ̶ 2 June 2019, Opera House, Wellingtonreviewed by Jennifer Shennan Black Swan, White Swan is a two-act ballet by Mário Radačovský performed to a recorded abridged version of Tchaikovsky’s score. It borrows some themes from the classic Swan Lake but introduces new features and motifs in a re-working of the story that has Siegfried at its centre. The
David McAllister to retire The news for May is headlined by the announcement that David McAllister, artistic director of the Australian Ballet since 2002, will retire at the end of 2020. McAllister has always been generous in situations that are about dance but fall outside performances. He launched, for example, two of my books, A Collector’s Book of Australian Dance
24 May 2019. The Hub, Victoria University, Wellington reviewed by Jennifer Shennan Talking about Music, Dancing about Architecture. A striking performance by New Zealand School of Music last Friday brought instrumental music and dance into unusual proximity. Those who, like myself, believe in the vibrancy of live music and dance interactions are drawn to the alchemy that can result from