Alan Alder as Hakuryo in Robert Helpmann's 'Yugen'. The Australian Ballet 1965. Photo: Walter Stringer

Alan Alder (1937–2019)

Alan Alder, who has died in Perth at the age of 82, was born in Canberra of Scottish/Australian parentage. In Canberra he initially studied tap and Scottish highland dancing with June Hammond. Later, while at Canberra High School, he took ballet lessons with Barbara Todd, a former Sadler’s Wells Ballet soloist who had come to Canberra when her husband took up an appointment at the Australian National University.

Winning a scholarship to the Royal Ballet School in 1957, he studied there for a short time, largely with Harold Turner, before joining the Covent Garden Opera Ballet, where he worked for the next twelve months. His experiences with that company included dancing in productions featuring artist such as Joan Sutherland and Maria Callas. ‘It was an incredible education I had in that one year,’ he recalled in an oral history interview conducted in 1999.

In 1958 Alder joined the Sadler’s Wells Royal Ballet. He was promoted to soloist and toured extensively with the company throughout Europe, Australia, New Zealand, Japan, and South Africa over the next four years. His touring schedule included the 1958-59 tour to Australia and New Zealand. Of his experiences on tour in Australia he recalled, in addition to the variety of roles he performed, a total blackout in Sydney’s Empire Theatre. ‘There was John Field onstage with hurricane lamps rehearsing the swans in the second act of Swan Lake,’ he said. He also remembers ‘Midnight Matinees’ towards the end of the Australian tour, which were fundraisers for victims of bush fires that devastated areas of Australia in 1958.

Alan Alder in Coppelia. Royal Ballet Australasian tour, 1958. Photo: Walter Stringer

At the invitation of Peggy van Praagh, Alder returned to Australia in 1963 to join the Australian Ballet as a senior soloist. He was promoted to principal artist in 1969, and later was a guest artist with the company from 1978 to 1980. With the Australian Ballet Alder danced many principal roles in a wide selection of ballets. He scored particular success as Alain in La Fille mal gardée, a role he danced initially with the Royal Ballet in 1961, and again with the Australian Ballet on many occasions from 1968 onwards. But other works, new and old, in which he took leading roles included Melbourne Cup, ThresholdSebastianGisellePineapple Poll, Lady and the FoolOthelloRomeo and JulietYugen, and Carmen.


Alan Alder as Jasper the Pot Boy with Maria Lang in Pineapple Poll. The Australian Ballet, 1976. Photo: Walter Stringer. National Library of Australia

Alder married fellow dancer Lucette Aldous in 1972. In the mid 1970s both Alder and Aldous were invited by the Russian ministry of culture to study teaching methods in the USSR. In St Petersburg they studied Boris Kniaseff’s floor barre and the Vaganova system of training. The opportunity to visit Russia came at a time when the Department of Foreign Affairs and Trade had just signed a cultural agreement with the USSR and Alder and Aldous were the first Australians to go to Russia under that agreement. Alder recalled:

‘We gained tremendous insight into the ideology of Agrippina Vaganova and also, in the short amount of time we had, we crammed as much as we could into learning on our bodies how to pass on that system, not necessarily just the choreography of the actual exercises, the enchainments, but the reason behind doing them.’

Following his departure from the Australian Ballet in 1980, Alder took up part-time teaching with Dame Margaret Scott and Anne Woolliams. In 1983 he was appointed to head up the dance department at the Western Australia Academy of Performing Arts, Edith Cowan University, a position he held until 1991. He then took up a teaching position at the Perth Graduate College of Dance. His involvement with Ausdance (WA) began in 1987 and his contribution to that organisation was recognised with a life membership.

In 2004, Alder and Aldous were jointly recognised as State Living Treasures by the Government of Western Australia. The citation included the words ‘outstanding contribution to dance’ and ‘dedication as advocates for the development of dance in Western Australia.’

Alan Richard Alder. Born Canberra, 14 September 1937; died Perth, 15 July 2019

Featured image: Alan Alder as Hakuryo the Fisherman in Yugen. The Australian Ballet, 1965. Photo: Walter Stringer. National Library of Australia.

Alan Alder as Hakuryo in Robert Helpmann's 'Yugen'. The Australian Ballet 1965. Photo: Walter Stringer

Michelle Potter, 15 July 2019

Margot Fonteyn with Kelvin Coe and John Meehan in 'The Merry Widow', 1977. Photo Walter Stringer

Walter Stringer’s dance photography

In February 2000 I wrote an article for National Library of Australia News on the dance photography of Walter Stringer, who before he died donated his very extensive collection of images to the National Library of Australia in Canberra. In the light of the recent discussion about the dancer portrayed in photos of Swan Lake in my recent post about the 1958 Royal Ballet tour to Australia and New Zealand, I thought it might be worth making the Stringer article more readily available, and adding a little about some of the Royal Ballet images included in the Stringer collection.

Follow this link to the National Library of Australia News article. Please note there is an error in the caption for the Swan Lake image used in the article. It is not, of course, Anne Woolliams and corps de ballet in the image but corps de ballet in the Anne Woolliams production! This was an editorial mishap.

Unfortunately the Royal Ballet material is not fully digitised so most of it can only be viewed on site at the National Library. This non-digitised component includes an album of 43 photos relating to the 1958 tour. The album came with a list created by the photographer. What follows is a slightly expanded version of the list, although no changes have been made to Stringer’s identification of dancers or ballets.

Accession No. Captions
994/1 Les Patineurs, 1958, Susan Alexander and unidentified
994/2 Swan Lake, Act I, 1958, Elizabeth ?, Michael Boulton, Audrey Farris
994/3 Swan Lake, Act II, 1958, Lynn Seymour (Odette)
994/4 Swan Lake, Act II, 1958, Lynn Seymour (Odette)
994/5 Swan Lake, Act II, 1958, Lynn Seymour (Odette), David Blair (Siegfried)
994/6 Swan Lake, Act II, 1958, Lynn Seymour (Odette), David Blair (Siegfried)
994/7 Swan Lake, Act II, 1958, Lynn Seymour (Odette), David Blair (Siegfried)
994/8 Swan Lake, Act III, 1958, Lynn Seymour (Odile)
994/9 Swan Lake, Act III, 1958, Lynn Seymour (Odile), David Blair (Siegfried)
994/10 Swan Lake, Act III, 1958, Lynn Seymour (Odile), David Blair (Siegfried)
994/11 Les Sylphides, 1958, Valerie Taylor
994/12 Les Sylphides, 1958, Anne Heaton
994/13 Les Sylphides, 1958, Valerie Taylor
994/14 Les Sylphides, 1958, Anne Heaton
994/15 Les Sylphides, 1958, Anne Heaton
994/16 Coppélia, 1958, Robert Helpmann (Dr Coppélius), Rowena Jackson (Swanilda)
994/17 Coppélia, 1958, Robert Helpmann (Dr Coppélius), Rowena Jackson (Swanilda)
994/18 Coppélia, 1958, Valerie Taylor (Prayer)
994/19 Coppélia, 1958, Rowena Jackson (Swanilda), Philip Chatfield (?) (Franz)
994/20 Coppélia, 1958, Dance of the Hours
994/21 Coppélia, 1958 Rowena Jackson (Swanilda)
994/22 Coppélia, 1958 Rowena Jackson (Swanilda)
994/23 Hamlet, 1958, Robert Helpmann (Hamlet)
994/24 Hamlet, 1958, Robert Helpmann (Hamlet)
994/25 Hamlet, 1958, Robert Helpmann (Hamlet)
994/26 Hamlet, 1958
994/27 Hamlet, 1958, Robert Helpmann (Hamlet)
994/28 Pineapple Poll, 1958, Patricia Cox (Poll)
994/29 Pineapple Poll, 1958
994/30 Pineapple Poll, 1958, Patricia Cox (Poll)
994/31 Coppélia, 1958, Alan Alder
994/32 Coppélia, 1958
994/33 Coppélia, 1958, Philip Chatfield (Franz)
994/34 Coppélia, 1958, Susan Alexander (Swanilda)
994/35 Coppélia, 1958, Susan Alexander (Swanilda)
994/36 Coppélia, 1958, Susan Alexander (Swanilda)
994/37 Coppélia, 1958, Rowena Jackson (Swanilda)
994/38 Coppélia, 1958, Rowena Jackson (Swanilda), Philip Chatfield (Franz)
994/39 Coppélia, 1958, Robert Helpmann (Dr Coppélius), Rowena Jackson (Swanilda)
994/40 Coppélia, 1958, Rowena Jackson (Swanilda), Philip Chatfield (Franz)
994/41 Coppélia, 1958, Rowena Jackson (Swanilda), Philip Chatfield (Franz)
994/42 Unknown, Rowena Jackson, 1958
994/43 The Rake’s Progress, 1958, Anne Heaton


Michelle Potter, 15 January 2017

Featured image: Margot Fonteyn with Kelvin Coe and John Meehan in The Merry Widow. The Australian Ballet, 1977. As featured in my article ‘Walter Stringer’s dance photography’. National Library of Australia

Margot Fonteyn with Kelvin Coe and John Meehan in 'The Merry Widow', 1977. Photo Walter Stringer