27 and 28 April 2023. The Pump House, ChristchurchA musical by Tom Waits & Kathleen Brennanreviewed by Jennifer Shennan Peter Falkenberg’s name is synonymous with Free Theatre, an experimental and alternative theatre enterprise formed in Christchurch in the late 1970s and surviving/thriving these 44 years, earthquakes notwithstanding. That’s remarkable longevity. Woyzeck, with composition by Tom Waits, lyrics by Kathleen Brennan and
28 April 2023. National Arboretum, Canberra Hillscape, choreographed by Ashlee Bye in association with Australian Dance Party, was performed in the Amphitheatre at Canberra’s National Arboretum. It is a stunning outdoor venue with one problem—from where we the audience were required to position ourselves (on the very edge of the huge circular space, mostly standing unless we had brought a
Back in 2017 I spoke to Philip Piggin, then working as Creative Program Officer at Belconnen Arts Centre in Canberra, and at the time a recipient of an honour from People Dancing, a major community dance organisation based in Britain. An article focusing on that interview appeared in The Canberra Times and is still available, at the time of posting
Audiences in Canberra are being offered a wide range of dance events during the week beginning 29 April. That day is International Dance Day and the week of festivities, hosted by Ausdance ACT, will officially be opened on that very day by the ACT’s Minister for the Arts, Tara Cheyne MLA. The range of events is extraordinary and highlights the
14 April 2023. Playhouse, Queensland Performing Arts Centre, Brisbane Queensland Ballet’s current production of Giselle owes its staging to Ai-Gul Gaisina, Russian-trained dancer with a stellar career in Australia as a dancer, teacher, coach and, more recently, stager of ballets from the traditional repertoire. The first thing to say about this production, originally made for Houston Ballet in 2011, is
Unintentionally, this month’s dance diary has a focus on retirements, resignations, the act of moving on and other activities associated with change. Dance is a moving art form. Adam Bull, principal with the Australian Ballet since 2008, has announced his retirement from the company at the end of June 2023. Bull has danced major roles in classical and contemporary works
This post contains two reviews of the 2023 Don Quixote. The first and longer one is of the digital screening; the second, shorter one refers, with particular reference to one dancer, to a matinee performance I saw in Sydney towards the end of the season. Digital screening, March 2023. (Filmed live on 24 March 2023, Arts Centre, Melbourne) This production
11 March 2023. Spiegeltent, Aotea Square, Te Ahurei Toi o Tāmaki/Auckland Arts Festivalreviewed by Jennifer Shennan This hour-long film screening had the creator and solo performer, Chisato Minamimura, present in the audience. It was followed by a discussion and q&a session with her, led by Shona McCullagh, artistic director of Auckland Arts Festival. The film is poignant and moving in
My review of the premiere of Ascent, the latest triple bill program from Sydney Dance Company, has been posted on Dance Australia. See this link. Two of the three items in the program were world premieres. The third, Antony Hamilton’s Forever & Ever, was first staged by Sydney Dance Company in 2018. One of the most interesting features of Ascent
9 March 2023. Kiri Te Kanawa Theatre, Aotea Centre. Te Ahurei Toi o Tamaki/Auckland Arts Festival,reviewed by Jennifer Shennan Revisor is created and directed by Crystal Pite and Jonathon Young, both highly original and hugely prolific theatre makers, movers and shakers, of Canadian provenance but now widely internationally acclaimed. The work is a knock-out tour-de-force of theatre, developed from Revizor,