I didn’t see Graeme Murphy’s 2017 work, The Frock, as a live production. It was fashioned by Murphy and his creative associate Janet Vernon on the Tasmanian group of ‘senior’ dancers, Mature Artists Dance Experience (MADE), a company I have never had the luck to see live either. But some research I have been doing recently aroused my interest and
By Jennifer Shennan Anne Rowse is a well-known and much-loved figure in the New Zealand dance scene. Her 90th birthday was recently celebrated in style at several events in her home town of Wellington, and at a family gathering at Queenstown in the following days. London called in long-distance, as did many colleagues and former students from a global spread
Below, attached as a PDF file, is a list of oral history recordings with artists working in dance related fields, as held in the National Library of Australia (NLA) and the National Film and Sound Archive (NFSA). Interviews conducted by the National Library are in audio format while many of the National Film and Sound Archive projects are film/video recordings,
Houston Ballet has, as a result of concerns and protests from various groups, removed its production of La Bayadère from its current season. The ballet looks back to the nineteenth century when ‘orientalism’ or interest in ‘exotic lands’ beyond Europe was a much-used theme in ballets and other theatrical productions. Recent media reports from Houston have suggested that the ballet
And we danced, a three part documentary from the ABC produced by WildBear Entertainment, looks at the first six decades of the Australian Ballet. The series makes use of archival footage held by the Australian Ballet, and that footage is complemented by photographs and interviews with former and current company staff and dancers, and with commentary from Ita Buttrose, current
A film by Dina Burlis and Sergey Gavrilov. Release date (digital format): 19 July 2021 by 101 Films (London).(Available on various digital platforms soon. See this link) Canberra dance audiences may well remember Joy Womack, who performed briefly in Canberra in 2018 for Bravissimo Productions. That one-off program featured dancers from across the globe—Womack was one of them. She was
2 – 4 July 2021, Little Theatre, Lower Huttreviewed by Jennifer Shennan For over 30 years Shri Vivek Kinra has been teaching Bharata Natyam in Wellington, at Mudra Dance Academy. There have been hundreds of pupils over the decades, many reaching advanced level and performing the arangetram, two-hour solo recital, that marks their professional debut. Others have arrived more recently in
A recent streamed production by the Royal Ballet paid homage to George Balanchine and Jerome Robbins, two American choreographers whose work over the course of the twentieth century was undeniably momentous. The stream began with George Balanchine’s Apollo, Balanchine’s first collaboration with Igor Stravinsky, which had its premiere in 1928. This production of Apollo opened with the birth of the
It was a thrill to hear that Queensland Ballet’s Joel Woellner has been promoted to principal artist. I have long admired Woellner’s dancing and especially remember his performance as the Widow Simone in Queensland Ballet’s production of Marc Ribaud’s La Fille mal gardée. After watching that show in 2017, I wrote: Joel Woellner as the Widow was totally outrageous. He
11 June 2021, Drama Theatre, Sydney Opera House SandSong. Stories from the Great Sandy Desert begins with some black and white footage that is instantly confrontational. Moving sharply from one event to another, and accompanied by an exceptionally loud sound score, it shows some of the atrocities endured by the Indigenous inhabitants of the Kimberley region over an extended period