Queensland Ballet in 2024

Queensland Ballet has unveiled its plans for 2024 and those plans suggest that the year will be a magnificent parting gift to audiences from outgoing artistic director Li Cunxin AO. The works come from a range of choreographers, including Annabelle Lopez Ochoa, Ben Stevenson and Liam Scarlett, along with the company’s own Greg Horsman and Matthew Lawrence and a number

Chi Udaka. Lingalayam and TaikOz

19 October 2023. Drama Theatre, Sydney Opera House Chi Udaka was an outstanding collaborative venture between Lingalayam, a company directed by Australian-Indian dancer Anandavalli, and TaikOz, an Australian music group co-founded by Ian Cleworth and Riley Lee and currently directed by Cleworth. The show focused on Anandavalli’s interest in the two Indian classical dance styles of Bharata Natyam and Kuchipudi,

Douglas Wright. Many Happy Returns

14 October 2023. The Long Hall, Roseneath, Wellington report by Jennifer Shennan On Saturday 14 October, this past weekend, a gathering at The Long Hall in Roseneath marked the birthdate of Douglas Wright, arguably the most remarkable dance artist this country has ever known. Douglas died on 14 November 2018. Here is a link to my obituary. If you google

Platinum. Royal New Zealand Ballet

13 October 2023. St. James Theatre, Wellingtonreviewed by Jennifer Shennan Platinum is a dense, malleable, ductile, highly unreactive, precious, silverish-white transition metal. It has remarkable resistance to corrosion, even at high temperatures, and is therefore considered a noble metal. It is the traditional gift used to mark the 70 year anniversary of a relationship. That makes Platinum a well-chosen title

Yummy. The Chaos Project, QL2 Dance

13 October 2023. Canberra College Theatre This review is a slightly expanded version of one that appeared in CBR City News, digital edition, 14 October 2023. The review published there is at this link. Change is in the air at QL2 Dance, Canberra’s esteemed youth dance organisation. This year’s Chaos Project, an annual event bringing together dancers of various levels

Swan Lake. The Australian Ballet (2023)

Digital screening, September–October (filmed on 29 September 2023 during the Melbourne season of Swan Lake) I am not a huge fan of this latest production of Swan Lake from the Australian Ballet—a version directed by artistic director David Hallberg but based on the 1970s production by Anne Woolliams with dramaturgy and a little extra choreography from Lucas Jervies. On a

Dance diary. September 2023

Canberra Dance Theatre (CDT) is about to celebrate its 45th birthday and part of its celebrations will take place in Civic Square in Canberra City on 15 October. Amongst other activities, CDT is staging a Great Big Community Dance at 2:15 that afternoon. The media release says: ‘There’s no need to learn our fabulous dance first. Simply join the group,

Strictly Gershwin (2023). Queensland Ballet and collaborators

28 September 2023. Lyric Theatre, Queensland Performing Arts Centre, Brisbane Absolutely stunning! From the brilliant performances by the dancers—in ballet, tap, ballroom and other forms—to the exciting and emotionally moving sound of the orchestra and singers (all onstage); from the lighting that made the whole look as if being performed within a second proscenium, to the background screen featuring assorted

(m)Orpheus. New Zealand Opera & Black Grace

20 September 2023. Opera House, Wellingtonreviewed by Jennifer Shennan This extraordinary production, (m)Orpheus, by New Zealand Opera & Black Grace, is billed as a re-imagining of Christoph Gluck’s 18th century opera, Orfeo ed Euridice. The program note calls it a dance-opera collision—which it is, but it’s also a great deal more than that. Indeed, the whole enterprise is a five-point

The Sleeping Beauty. Royal Czech Ballet

17 September 2023 (matinee). Canberra Theatre Centre The Canberra Theatre, the main one, not the smaller Playhouse, was jam-packed for this performance of The Sleeping Beauty. Scarcely a seat was empty and those that were empty were dotted here and there around the auditorium and seemed to have been meant for people who, for some reason, were not able to