17 August 2024. Llewellyn Hall, Canberra Below is a slightly enlarged version of my review of Silence & Rapture published online by Canberra’s CityNews on 18 August 2024. The CityNews review is at this link. The Australian Chamber Orchestra (ACO) has an admirable history of staging productions with dance companies in which both musicians and dancers perform onstage, with artists
1 August 2024. St James Theatre, Wellington Below is a slightly enlarged version of my review of Solace published online by Dance Australia on 5 August 2024. The Dance Australia review is at this link. Solace, the recent triple bill from Royal New Zealand Ballet (RNZB), offered audiences a thought-provoking look at the approach of contemporary choreographers who work with
As August approaches I am looking forward to a number of dance performances beginning in Wellington with Royal New Zealand Ballet’s triple bill program Solace. Solace opens on 1 August and consists of Wayne McGregor’s Infra and two new works, To Hold by Sarah Foster-Sproull and High Tide by Alice Topp. Infra was seen in Australia in 2017 when it
I am in the fortunate position of regularly receiving invitations, with complimentary tickets included, to various dance performances. But recently some of those invitations have included words noting that I am welcome to come and ‘enjoy’ the show but that reviews are not desired. No one has actually said reviews are not to be written, are forbidden, or some such
18 July 2024. Bangarra Dance Theatre, Canberra Theatre. In Canberra I had a rather different view of the production of Bangarra’s Horizon from the one I had in Sydney back in June. When I arrived at the Canberra Theatre to collect my tickets there was only one ticket in the envelope , despite the fact that I had officially been
6 July 2024. Te Auaha Theatre, Wellingtonreviewed by Jennifer Shennan This attractive program takes the unpretentious title Homemade Jam, as if to say, ‘We can’t afford to import posh marmalade from Harrods so we’ve made our own jam from the fruit in the orchard here.’ With a full house at both performances, and sold-out printed programs, BalletCollective Aotearoa (BCA) must
choreography Vivek Kinraauspices of Chamber Music New Zealand29 June 2024. Q Theatre, Auckland30 June 2024. Meteor Theatre, Hamilton2 July 2024. Little Theatre, Lower Huttreviewed by Jennifer Shennan Vismaya is Sanskrit for Amazement and proved the perfect title for this highly enterprising project of Bharata Natyam, South Indian classical dance, in performances and workshops on a national tour to five centres—Auckland,
Former Australian Ballet dancer (and a graduate of the Australian Ballet School), Remi Wörtmeyer, has been appointed artistic director of BalletMet in Columbus, Ohio. The press from BalletMet has further information and some online examples of his dancing and choreography. Follow this link. Wörtmeyer’s career has been diverse to say the least. In addition to his dance-related activities, which include
27 June 2024. The Vault, Dairy Road Precinct, Canberra The Dataset took place in the Vault, an expansive, untheatrical space in the Dairy Road Precinct in Fyshwick, a largely industrial area in Canberra. The Vault has been used effectively before by Alison Plevey’s Australian Dance Party, in particular with From the Vault in 2019. But it needs an exceptional production
22 June 2024 (matinee). The Playhouse, Queensland Performing Arts Centre, Brisbane I didn’t see Greg Horsman’s version of Coppélia, a joint production between Queensland Ballet and West Australian Ballet, when it was first performed back in 2014. But, having admired his reimagining of La Bayadère (despite efforts by some to remove it, and other productions of Bayadère, from the world-wide