David McAllister, 2019. Photo: Georges Antoni

Ballet Confidential and Soar. Books by David McAllister

Ballet Confidentialby David McAllister[Thames & Hudson, 2023] Soarby David McAllister with Amanda Dunn[Thames & Hudson, 2021—also available as an e-book] Books reviewed by Jennifer Shennan David McAllister has through this year, 2023, been Acting Artistic Director of Royal New Zealand Ballet—to oversee the process of appointing a permanent Artistic Director, and to stabilise the management situation after both the previous

Ty King-Wall to direct Royal New Zealand Ballet

New Zealand-born dancer Ty King-Wall has just been appointed artistic director of Royal New Zealand Ballet and will take up the position in Wellington in November 2023. He has had a major career as a dancer with the Australian Ballet beginning in 2006. He rose through the company ranks and became a principal artist in 2013, retiring from performing in

Li Cunxin honoured

Li Cunxin AO, shortly to retire as artistic director of Queensland Ballet, has been honoured by the Lord Mayor of Brisbane, Adrian Schrinner, with Keys to the City for his exceptional contribution to the arts in Brisbane. It would be hard to think of a more deserving recipient. Li has completely transformed Queensland Ballet since he took over the directorship

Dance diary. August 2023

Jennifer Homans’ recent book Mr B. George Balanchine’s Twentieth Century is perhaps the most spectacularly researched and written dance book I have ever read. As the title suggests, its major subject is George Balanchine, who was known to his dancers as Mr B, and Homans certainly tells us a lot about Balanchine’s life, much more than the many other Balanchine-focused

Talking to Martin James … about teaching

For over two decades Martin James had a stellar career as a principal dancer with a range of ballet companies, including Royal New Zealand Ballet, English National Ballet, Deutsche Oper Berlin, and Royal Danish Ballet. When he retired from performing in 2005, with a knighthood from Queen Margrethe II of Denmark for his contribution to Danish ballet, he took up

Kiku. A short dance film from Itazura Co

11 August 2023. Arc Cinema, National Film and Sound Archive, Canberra Kiku, a film choreographed and directed by Japanese-Australian artist Natsuko Yonezawa of Itazura Co, had its premiere showing on 11 August to a sold-out, very enthusiastic audience at the National Film and Sound Archive’s Arc Cinema. I was taken aback when I realised the theatre was chock-a-block. I have

Dance diary. July 2023

Early in July six youth dance companies met up in Canberra to show recent work and share practice. ‘Meet Up’ is a biennial event produced by QL2 Dance as a means of maintaining national connections between youth companies. The event in 2023 marks its return after a postponement due to the COVID pandemic. Circumstances prevented me from reviewing the evening

Unhinged. The Training Ground

29 July 2023. Erindale Theatre, Canberra There was a lot to admire about Unhinged, the latest production from The Training Ground, a Canberra-based group designed to give advanced contemporary dance students from the region the opportunity to prepare for tertiary and/or pre-professional dance courses. Most obviously, the dancers were absolutely brilliant when dancing together. Great coaching of course but how

Lightscapes. Royal New Zealand Ballet

27 July, 2023. St. James Theatre, Wellington.reviewed by Jennifer Shennan The opening work, Serenade, to Tchaikovsky, is an abstraction of femininity, a favoured topic of Balanchine’s. It was created, in 1934, for students at the School of American Ballet that fed his company, so the memory of several productions at New Zealand School of Dance here across the decades, with

Bespoke, 2023. Queensland Ballet

27 July 2023. Talbot Theatre, Thomas Dixon Centre, Brisbane It would be hard to find a performance more thrilling, more emotionally driven, more technically fascinating than the sixth production from Queensland Ballet under the banner Bespoke. Made up of works from Remi Wörtmeyer, Paul Boyd and Natalie Weir, this program was rightly advertised as ‘compelling, challenging and always thought provoking’.