Dance diary. June 2014

Dame Maggie Scott: a life in dance My biography of Dame Margaret Scott is now in the editing and design phase and is scheduled for release in October 2014. I originally interviewed Dame Margaret for the National Library’s oral history program in 1993 and, while that interview provided a skeleton plan, there was much more to discover, or at least many

Giselle in the news

It seems that the Australian Ballet will be bringing back Maina Gielgud’s production of Giselle in 2015. Gielgud’s web page indicates that she will be in Australia from late 2014, firstly teaching in Perth, Brisbane and Melbourne and then working on staging Giselle for the Australian Ballet. This news sent me looking at some of my favourite, easily available online images from Giselle. I

Ballets Russes in Tokyo

The National Gallery of Australia’s exhibition, Ballets Russes. The Art of Costume, which was shown in Canberra from December 2010 to March 2011, is opening in Tokyo on 18 June at the National Art Center. Installation is underway and the exhibition will be on display until early September 2014. Some new acquisitions, material not seen in the Canberra exhibition, will

Dance diary. May 2014

Sydney Dance Company. The Heritage Collection A few months ago I mentioned very briefly a project being developed by film maker Philippe Charluet in conjunction with Sydney Dance Company to preserve the choreography of Graeme Murphy, which he made as artistic director of the company over more than 30 years. Well, the project is now official and has been announced as

Imperial Suite. The Australian Ballet

10 May 2014 (evening), Joan Sutherland Theatre, Sydney Opera House It is a long time since I have had a seat in the circle for a ballet performance (in any theatre come to think of it), but that’s where I was seated at the Sydney Opera House for Imperial Suite, the Australian Ballet’s mixed bill of Ballet Imperial and Suite

Chroma, Art to Sky, Petite Mort & Sechs Tänze. The Australian Ballet

10 May 2014 (matinee), Joan Sutherland Theatre, Sydney Opera House What an inspiring performance the Australian Ballet gave of Wayne McGregor’s Chroma. Not an easy ballet to bring off, but all the diverse features that make McGregor’s choreography so eminently watchable were there. Limbs extending through space, off-centre partnering, moves that were in turn twisted, contorted, angular and sometimes smooth

Paul Knobloch joins Sydney Dance Company

Good news from Canberra dancer Paul Knobloch who will be joining Sydney Dance Company for its upcoming 45th anniversary tour to Western Australia, Queensland and regional New South Wales. The company will be taking their multi award winning work, 2 One Another, on this tour which will take in small and large cities from Perth to Mackay to Dubbo. Earlier

Gailene Stock (1946—2014)

Gailene Stock, most recently director of the Royal Ballet School, has died from complications resulting from a brain tumour. Stock had been ill since 2013. Born in Ballarat, Victoria, and named Gail Stock by her parents, she changed her first name to Gailene at the request of Peggy van Praagh, artistic director of the Australian Ballet, who thought that the

Island. James Batchelor

30 April 2014, Courtyard Theatre, Canberra James Batchelor’s Island is a fascinating look at what dance can encompass when it becomes an immersive experience. The work is performed by three dancers, Batchelor himself along with Amber McCartney and Rebecca Lee, and it deals largely with perception. I have to admit to feeling slightly frustrated by dance that purports to deal