Jennifer Homans’ recent book Mr B. George Balanchine’s Twentieth Century is perhaps the most spectacularly researched and written dance book I have ever read. As the title suggests, its major subject is George Balanchine, who was known to his dancers as Mr B, and Homans certainly tells us a lot about Balanchine’s life, much more than the many other Balanchine-focused
For over two decades Martin James had a stellar career as a principal dancer with a range of ballet companies, including Royal New Zealand Ballet, English National Ballet, Deutsche Oper Berlin, and Royal Danish Ballet. When he retired from performing in 2005, with a knighthood from Queen Margrethe II of Denmark for his contribution to Danish ballet, he took up
11 August 2023. Arc Cinema, National Film and Sound Archive, Canberra Kiku, a film choreographed and directed by Japanese-Australian artist Natsuko Yonezawa of Itazura Co, had its premiere showing on 11 August to a sold-out, very enthusiastic audience at the National Film and Sound Archive’s Arc Cinema. I was taken aback when I realised the theatre was chock-a-block. I have
Early in July six youth dance companies met up in Canberra to show recent work and share practice. ‘Meet Up’ is a biennial event produced by QL2 Dance as a means of maintaining national connections between youth companies. The event in 2023 marks its return after a postponement due to the COVID pandemic. Circumstances prevented me from reviewing the evening
29 July 2023. Erindale Theatre, Canberra There was a lot to admire about Unhinged, the latest production from The Training Ground, a Canberra-based group designed to give advanced contemporary dance students from the region the opportunity to prepare for tertiary and/or pre-professional dance courses. Most obviously, the dancers were absolutely brilliant when dancing together. Great coaching of course but how
27 July, 2023. St. James Theatre, Wellington.reviewed by Jennifer Shennan The opening work, Serenade, to Tchaikovsky, is an abstraction of femininity, a favoured topic of Balanchine’s. It was created, in 1934, for students at the School of American Ballet that fed his company, so the memory of several productions at New Zealand School of Dance here across the decades, with
27 July 2023. Talbot Theatre, Thomas Dixon Centre, Brisbane It would be hard to find a performance more thrilling, more emotionally driven, more technically fascinating than the sixth production from Queensland Ballet under the banner Bespoke. Made up of works from Remi Wörtmeyer, Paul Boyd and Natalie Weir, this program was rightly advertised as ‘compelling, challenging and always thought provoking’.
20 July 2023. Canberra Theatre, Canberra Theatre Centre With Yuldea, Bangarra Dance Theatre’s first production under the artistic directorship of Frances Rings, the company continues to present work that examines the experiences that Australia’s First Nations people have lived through. As Rings has written in the ‘Welcome’ section of the Yuldea program, ‘Yuldea reflects the truth-telling of the Indigenous experience
A surprise announcement arrived in my inbox today. Ruth Osborne, currently artistic director of QL2 Dance, Canberra’s youth dance organisation, is stepping down from the role she has held for 25 years. The transition to a new chapter for QL2 Dance will be made over a 12 month period and at the end of that time the organisation will be
15 July 2023 (matinee performance). Playhouse, Canberra Theatre Centre The Canberra season of Lucie in the Sky from the Brisbane-based Australasian Dance Collective (ADC) was performed as part of Uncharted Territory, a new Canberra festival. The festival set out to investigate connections between technology and the arts, and the limitless possibilities of such connections. As an exploration of dance and