I’ve never done anything else but dance … * Jonathan Taylor, dancer, choreographer and artistic director of Australian Dance Theatre from 1976 to 1985, has died in Melbourne at the age of 77. Taylor was born in Manchester, England, where he began tap and ballet lessons as a very young boy. As a teenager he was taught in London by
In March I had the pleasure of being in New York for the first of a number of events to celebrate 75 years since the foundation of what is now the Jerome Robbins Dance Division. In the featured image, curators seated (left to right) are Madeleine Nichols, Michelle Potter, Jan Schmidt and current curator Linda Murray. Current staff are standing.
22 March 2019. Victoria University of WellingtonReviewed by Jennifer Shennan A gamelan concert at The Hub, the central arena of Victoria University campus, had long been planned for the evening of Friday 22 March. A combination of two gamelan—Javanese, Gamelan Padhang Moncar, and the Balinese, Gamelan Taniwha Jaya, would play. A dance troupe from Surabaya in Java would join as
22 March 2019. The Playhouse, Queensland Performing Arts Centre, Brisbane It was a brave move by choreographer Liam Scarlett even to think of making a ballet out of the 18th century French novel Les liaisons dangereuses by Pierre Choderlos de Laclos. The storyline is complicated to say the least. It follows the tale of a wealthy widow, the Marquise de
There’s only one dance to report on from New Zealand this week—the haka taparahi, performed in the road in Christchurch, to leaders and members of the Muslim community, by members of Black Power, the bikers gang who do not ordinarily appear in public to demonstrate emotion in a dance. But these are not ordinary times. A haka like that is
15 March 2019. State Theatre, Victorian Arts Centre, Melbourne Dame Margaret Scott was farewelled with style and grace, and more than a little bit of emotion, in a memorial event arranged by the Australian Ballet and the Australian Ballet School and presented in Melbourne on 15 March 2019. It began with an initial surprise as we entered the auditorium of
3 March 2019. David H Koch Theater, Lincoln Center, New York It was Joan Acocella who wrote of Jerome Robbins in The New Yorker in 2001 that ‘…onstage his dancers act young, have young emotions, passing infatuations, passing sorrows. The picture is never adult, never this-is-what-life-is.’ Two works on the All Robbins program, Interplay and N.Y Export: Opus Jazz, fitted
2 March 2019. 92Y, New York (Harkness Dance Festival 2019) In 2019 the dance world is celebrating the centenary of the birth of Merce Cunningham with events across the globe. Most, not surprisingly, are being held throughout the United States. In Australia we had just one event, and I found it highly disappointing. So, it was a thrill to be
3 March 2019. Wellington Railway Station Foyer Choreography: Lucy Marinkovich/Borderline Arts Ensemble Performers: Hannah Tasker-Poland and Emmanuel ReynaudMusic: Sergei Rachmaninoff, Piano Concerto No.2 (Adagio) … after 1945 David Lean /Noel Coward film classic, Brief Encounter. Reviewed by Jennifer Shennan. You’ve reached the Wellington Railway Station. In 15 mins your train is due to leave for Waikanae, so there’s time, no great hurry. It’s
1-2 March 2019, Opera House Wellington Reviewed by Jennifer Shennan This program to open 2019 has four new and contrasting works that will appeal to audiences in different ways. The dancers, as always, give their all, but the production needs to settle down yet, and the lighting effects be reduced by perhaps 50%, if it is to source the power