American ballerina Jocelyn Vollmar has died in San Francisco at the age of 92. Born in San Francisco, Vollmar began her dance training aged 12 at San Francisco Ballet School under William Christensen and Gisella Caccialanza. As a student she danced in the first American Coppélia and the first American full-length Swan Lake in 1940. She joined San Francisco Ballet in 1943 and her
New patron for Canberra’s QL2 Dance It has just been announced that Canberra’s youth dance organisation QL2 Dance has a new patron, Sydney Dance Company’s artistic director Rafael Bonachela. He joins Shirley McKechnie, AO, as co-patron following the retirement of Sir William Deane, AC, KBE, QC and Lady Deane who had been much respected patrons for fourteen years. Bonachela has
Below is a slightly expanded version of my review of Dark Emu. The online Canberra Times review was posted earlier at this link. ******************************************************* 26 July 2018, Canberra Theatre Dark Emu, Bangarra Dance Theatre’s newest production, is inspired by a book of the same name by Bruce Pascoe. In the book Pascoe examines aspects of Aboriginal life prior to the arrival
Early in July I gave a brief presentation in Melbourne at the Cecchetti Ballet conference for 2018. The conference included a session relating to Marie Rambert and the tour made by Ballet Rambert to Australia and New Zealand between 1947 and 1949. Other speakers for this session were Jonathan Taylor, Audrey Nicholls and Maggie Lorraine who spoke about their experiences
Ever since Vivek Kinra began teaching Bharata Natyam classical dance in Wellington in 1990, there has been a little corner here, an enclave of India, brought close. His commitment to highest standards and consistent discipline is familiar from all dance training, but the way Kinra has single-handedly built up his academy for the daughters of Indian families here to study
The names of short listed nominees for the 2018 Australian Dance Awards have just been released. As usual the list shows the amazing variety of dance and dance practitioners we have in Australia, so it was not easy to decide which image to use as the featured one on this post. In the end I opted for an image by Vishal
Nigel Preston Boyes, born Marton, 7 December 1959–died Wellington 2 July 2018Office Manager, Royal New Zealand Ballet by Jennifer Shennan Nigel Boyes was a hugely competent arts administrator, as well as honorary archivist, for over ten years at the Royal New Zealand Ballet. He was the union spokesperson for the dancers, and their friend and mentor, member of a number
29 June 2018, State Theatre, Victorian Arts Centre, Melbourne The Australian Ballet’s latest triple bill, Verve, once again raises the fascinating question of what is contemporary ballet? And once again the three works on the program, one each from Stephen Baynes, Tim Harbour, and Alice Topp are examples of how varied answers to that question can be. Constant Variants from Baynes
Walter Bourke Award The Australian Ballet recently announced that corps de ballet dancer Mason Lovegrove (pictured above) had received the Walter Bourke Award. The prize, which was established in 2005, is named for former Australian Ballet dancer Walter Bourke, and is not awarded annually but on merit. It is to be used specifically to fund a dancer’s professional development on the
14 June 2018, Canberra Theatre, Canberra Theatre Centre Below is a slightly expanded version (with different images) of my review of Australian Dance Theatre’s The Beginning of Nature. The Canberra Times review is available online at this link. In addition, I was lucky enough to be contacted by the composer, Brendan Woithe, after my review appeared. In the ensuing correspondence he explained