Dance diary. December 2025

  • Looking ahead…

While the list of dance productions to be staged in 2026 offers dance-goers a wide range of productions to anticipate, there are two new works that I am especially looking forward to seeing. The first is Alice Topp’s production of Macbeth. It will premiere in February in New Zealand with Royal New Zealand Ballet before going on to Perth in September where it will be part of West Australian Ballet’s 2026 season.

Macbeth? Many years ago now I studied Macbeth in my final year of school. We read and analysed it for a whole year! Then to my absolute surprise a few years ago, which was decades after I had finished school, while on a sightseeing trip in Scotland, we were told by the guide we were heading to Dunsinane. The name immediately took me back to that final year of school and the phrase ‘from Birnam Wood to high Dunsinane Hill’, which features in Macbeth. But that aside, Macbeth, given its high drama and deeply emotional content, is perhaps the last Shakespearean play I would have thought I would see as a ballet. Topp says her production is :

An epic story fuelled by political ambition, passion, desire for power and the burden of guilt, Macbeth’s themes are potent and enduring.

I am definitely looking forward!

The second new work I am anticipating with particular pleasure and interest is Liz Lea’s Diamond. I mentioned Diamond in my Dance diary. October 2025 and it has since been officially launched. It will be premiered in Queanbeyan in August. One media comment explains:

With moments of raw honesty and riotous play, Diamond celebrates the brilliance that emerges through time – the courage, fragility, and power that define you as you evolve. Inspired by the enduring strength and many facets of a diamond, the work reflects on how we are shaped by experience, pressure, and the will to keep shining. A sparkling homage to the resilience and beauty of ageing women – bold, unapologetic, and full of life.

Lea has worked extensively with community dance companies over the past several years, with great success. But it will be heartening to see her create a new work that will show us more of her creative self. In the production of Diamond, she will be working with a number of diamond consultants and the writer and dramaturg Brian Lucas. See this list for those working with Lea on Diamond.

Publicity shot for Diamond

  • Hans van Manen (1932-2025)

I recently received news that Dutch dancer and choreographer Hans van Manen had died in Amsterdam in mid December, aged 93. Van Manen had an extraordinarily extensive career as a dancer and choreographer. As a choreographer he created more than 150 works, of which sadly I have seen very few (mostly overseas}. But his influence on Australian dance artists has been extensive.

The Hans Van Manen Foundation has an informative website. It contains a wealth of material about the man and his work including a list of his choreography’

  • Press for December 2025

 ‘Young choreographers step into the spotlight.’ Review of Emerging Choreographers Project. Quantum Leap Australia. CBR City News, 14 December 2025. Online at this link.

UPDATE 15 January 2026: Comments are closed on this post given that it has been receiving, in a very short space of time, an inordinate number of spam messages.

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Thank you to all who have visited this website over 2025, especially those who have taken the time to comment on specific posts. I wish you a happy and safe new year and look forward to welcoming you back to the site in 2026.

Michelle Potter, 31 December 2025

Featured image: Royal New Zealand Ballet artists Ana Gallardo Lobaina and Branden Reiners in a publicity image for Macbeth. Photo: © Ross Brown

2 thoughts on “Dance diary. December 2025

  1. Hello Michelle, thank you for a year of intelligent and thoughtful reviews. I love dance and you provide an excellent way to keep in touch with what is happening in the dance world even though living in Christchurch NZ means the reviews are tempting but unable to be realized. The photographs are always stunning and I often print on off for my wall to remind me how beautiful, challenging and ethereal the human body can be in dance form. Between you and Jennifer Shennan in Wellington I feel I can stay in touch with the dance world. Thank you and very best wishes for 2026. Colleen Anstey, NZ

  2. Hi Colleen, Thank you so much for your comment. It is a thrill to know that you have truly enjoyed reading posts from me and from Jennifer. Christchurch always features when I look at Google Analytics to check on statistics for cities accessing my site. You will have read that I am looking forward to RNZB’s presentation of Alice Topp’s Macbeth and I hope you can get to see it. I see it will be in Christchurch in March.

    Thank you again.

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