Dance diary. March 2026

  • Rafael Bonachela to leave Sydney Dance Company

Sydney Dance Company announced in March that Rafael Bonachela, artistic director of Sydney Dance Company since 2009, will leave the company in mid 2028. It was perhaps not surprising news but it certainly aroused many thoughts about Bonachela’s input into the company.

What perhaps stands out, at least from my viewpoint, was the physicality that characterised Bonachela’s choreography. Bonachela did not usually look for a narrative focus to his works. He left us as the audience to add our own thoughts about what his works meant—if indeed there was a meaning for us to absorb beyond the movement.

But there was much more to his directorship of the company than making his own dance works. His introduction of New Breed, a program that gave opportunities to emerging choreographers, was certainly a highlight as was his extensive touring. The Sydney Dance Company media release, in which much more of his input is mentioned, is at this link. A search for a new director will begin shortly.

As an aside, I had the absolute pleasure of interviewing Bonachela in 2011, which was quite early in his tenure of the job, for the National Library’s oral history program. The interview details are at this link and the Library’s summary gives an indication of the content of the interview.

  • Glasshouse Theatre, Queensland Performing Arts Centre

The first show to be presented at Brisbane’s newly completed Glasshouse Theatre was Queensland Ballet’s Messa de Requiem (my review of this show can be found elsewhere on this website). But I have to mention what a stunning piece of architecture the new theatre is, both outside and inside. Inside the beautifully curved areas are a delight to walk past while the stage area looks spacious and easy to dance on. The sightlines are excellent from an audience point of view, which is a real thrill. The Glasshouse is an absolute delight from every point of view.

Glasshouse Theatre, Queensland Performing Arts Centre, Brisbane. Photo: © Brian Hurst

  • Swan Lake Act III. Dance Theatre of Harlem (via Jacob’s Pillow playlist)

I must say I was somewhat staggered watching an excerpt from the Act III pas de deux in Swan Lake, as danced by Michaela DePrince partnered by Samuel Wilson, via a playlist on the Jacob’s Pillow website. DePrince’s arms in the 32 fouetté section are just incredible.

Watch at this link.

  • Press for March 2026

 ‘Dancing on impulse was a ‘pleasure to watch’.’ Review of Impulse. Australian Dance Party. CBR City News, 15 March 2026. Online at this link.

 ‘But everyone else seemed to be enjoying it.’ Review of Swan? Lauren Brady. CBR City News, 26 March 2026. Online at this link.

Michelle Potter, 31 March 2026

Featured image: portrait of Rafael Bonachela, 2026. Photo: Toby Burrows

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