7 November 2019. The Q, Queanbeyan Matrix comprised two works, Auto Cannibal by Stephanie Lake, and Encircling Voyage by MA Bo. The program was created in Beijing over a five week period when twenty dancers, six from the Brisbane-based Expressions Dance Company and fourteen from the Beijing-based Beijing Dance/LDTX came together to work and collaborate. The Queanbeyan performance was just
5 November 2019, Canberra Theatre Below is a expanded version of my review for The Canberra Times of Queensland Ballet’s Cinderella. The online version of that review is at this link. Queensland Ballet’s Cinderella tells the familiar story of the young girl whose step-mother and step-sisters have reduced her existence to that of their servant, but whose life is transformed
2 November 2019, Roslyn Packer Theatre, Sydney Sydney Dance Company’s second program for 2019, the fiftieth year of existence, began with a short film. Excerpts from the SDC repertoire during the years it was led by Graeme Murphy and Janet Vernon reminded us of the versatility of the productions during those years when strong narrative works alternated with beautifully abstract
This website is now ten years old. While I initially went it alone, Jennifer Shennan from New Zealand joined me as contributor in 2014. Between us we have written 650 reviews, news items, and articles since the site went live in 2009. My first post was really just a very small photo diary of an amazing few days I spent
18 October 2019. Theatre 3, Canberra. The Chaos Project The Chaos Project has long been a feature of the Canberra dance scene. Designed for the young and less experienced of the dancers who are part of the QL2 Dance community, each year it has a different theme. This theme is examined through a series of short works, which are combined
12 October 2019 (matinee preview), Canberra Theatre Opera Australia’s production of the Broadway musical West Side Story was reviewed on this website by Jennifer Shennan—see this link—when it opened in Wellington ahead of its Australian performances. But of course I could not miss the show, especially when it has such a strong emotional appeal for me. When West Side Story
When I interviewed Shaun Parker in 2017 for the National Library of Australia’s oral history program, his concluding remark was that it had been such a pleasure to be able to talk about ‘the epic journey of past, present and future.’ It was a wonderful way to finish the interview and it gave me the opportunity to write a story,
by Jennifer Shennan Memories from across 40 years of life and work and people at New Zealand School of Dance were triggered by a recent gathering. Christine Gunn has been on the faculty at New Zealand School of Dance as classical ballet tutor for 40 years. A celebratory gathering took place at Te Whaea, the school’s venue, in early September
The Australian Ballet’s 2020 season, announced earlier this month, looks to be the most interesting the company has offered for years. I was thrilled to see that Yuri Possokhov’s Anna Karenina was on the list. Although I haven’t seen this particular work I was lucky enough to see San Francisco Ballet perform Possokhov’s Rite of Spring back in 2013. It
20 September 2019. A ‘secret vault’, Dairy Road Precinct, Canberra Dairy Road Precinct, on the edge of Canberra’s industrial suburb of Fyshwick, may be the least likely venue imaginable for a dance performance. A largely uninviting area, it is filled with buildings in hard-edged contemporary architectural style; there is little adequate signposting; and the precinct is difficult to navigate and