The Russell Kerr lecture for 2019 was delivered in Wellington, New Zealand, on 10 February 2019 by Dr Ian Lochhead. Lochhead is dance critic for The Press, Christchurch, and formerly Associate Professor of Art History at the University of Canterbury. His lecture focused on the tours to New Zealand by the Monte Carlo Russian Ballet in 1937 and the Covent
Robert O’Kell Robert O’Kell danced with the Australian Ballet from 1962 to 1966 and then again in 1969. In 1971 he danced the role of the Indian Prince in a Rose Adagio staged by West Australian Ballet, which was the subject of an earlier post on this website. During a period of research at the National Library I chanced upon
Choreographer and teacher Paige Gordon will speak in March 2019 at BOLD II, the Canberra-based festival directed by Liz Lea now in its second manifestation. I was more than interested to hear that Gordon’s talk will have connections back to a work she made in Canberra in 1994, and which was subsequently restaged in 1996. Gordon suggests that her future
Below is an expanded version of an article published in print and online by The Canberra Times on 28 January 2019. Canberra’s remarkable performer, mentor and choreographer, Liz Lea, has once again taken on the mammoth task of presenting BOLD, a festival she founded in 2017 in anticipation of it becoming a biennial event. In that inaugural year, Lea boldly
17 January 2019. The Playhouse, Canberra Theatre Centre. Here is a slightly expanded version of my review of Coppélia in its storytime form. The review has already appeared in The Canberra Times online but is yet to appear in print.* This Coppélia is the third production in the popular Storytime Ballet series produced for young people by the Australian Ballet.
All good wishes for 2019 and my grateful thanks to all who have visited this site over the past year, especially those who have taken the time to comment. And of course special thanks to my co-contributor, Jennifer Shennan, who throughout the year opened our eyes to what was happening in the New Zealand dance world. New artistic directors Both
In Canberra Below is a slightly expanded version of my year-ender for The Canberra Times published as ‘State of dance impressive and varied’ on 24 December 2018. I should add that The Canberra Times‘ arts writers/reviewers are asked to choose five productions only for their year-ender story. Looking back at 2018 I find, thankfully, that I don’t have to complain
by Jennifer Shennan As New Year approaches I like to think back over Old Year and, without consulting notes, check what dance highlights remember themselves. During 2018 we have lost four treasured and hugely important people from our dance / arts community. Nigel Boyes, dearest friend and colleague to so many dancers, particularly members of Royal New Zealand Ballet where
Selamat Hari Natal from the Island of the Gods where, at Christmas time, cultures meet and everything is possible. And where every day dance is part of life. Michelle Potter, 25 December 2018 Featured image: Balinese Barong (detail) as he appears in the Kris Dance. Other images from a Nusa Dua hotel. All images by Michelle Potter.
7 December 2018. Carriageworks, Sydney Dubboo. Life of a songman was a tribute to David Page, master musician and esteemed elder of the extended Page family, who died in 2016. Dubboo was his nickname (or one of them) and the theatrical tribute showed us much about the diversity of his life and the process by which his music came into