3 March 2019. Wellington Railway Station Foyer Choreography: Lucy Marinkovich/Borderline Arts Ensemble Performers: Hannah Tasker-Poland and Emmanuel ReynaudMusic: Sergei Rachmaninoff, Piano Concerto No.2 (Adagio) … after 1945 David Lean /Noel Coward film classic, Brief Encounter. Reviewed by Jennifer Shennan. You’ve reached the Wellington Railway Station. In 15 mins your train is due to leave for Waikanae, so there’s time, no great hurry. It’s
1-2 March 2019, Opera House Wellington Reviewed by Jennifer Shennan This program to open 2019 has four new and contrasting works that will appeal to audiences in different ways. The dancers, as always, give their all, but the production needs to settle down yet, and the lighting effects be reduced by perhaps 50%, if it is to source the power
Do you recognise the Santa Claus in the featured image for this post? No? Well it’s Robert O’Kell, former dancer with the Australian Ballet, West Australian Ballet and several overseas companies, who each year delights children as Santa Claus in a department store in Victoria. Following a request from a former pupil of O’Kell, and with the generosity of one
I was deeply saddened to hear of the death of Dame Margaret Scott on 24 February 2019. I was enormously privileged to have spent considerable time with her throughout 2014 as I wrote her biography for Text Publishing. Even before that, way back in 1993, I had the pleasure of recording an oral history interview with her for the National
The Russell Kerr lecture for 2019 was delivered in Wellington, New Zealand, on 10 February 2019 by Dr Ian Lochhead. Lochhead is dance critic for The Press, Christchurch, and formerly Associate Professor of Art History at the University of Canterbury. His lecture focused on the tours to New Zealand by the Monte Carlo Russian Ballet in 1937 and the Covent
Robert O’Kell Robert O’Kell danced with the Australian Ballet from 1962 to 1966 and then again in 1969. In 1971 he danced the role of the Indian Prince in a Rose Adagio staged by West Australian Ballet, which was the subject of an earlier post on this website. During a period of research at the National Library I chanced upon
Choreographer and teacher Paige Gordon will speak in March 2019 at BOLD II, the Canberra-based festival directed by Liz Lea now in its second manifestation. I was more than interested to hear that Gordon’s talk will have connections back to a work she made in Canberra in 1994, and which was subsequently restaged in 1996. Gordon suggests that her future
Below is an expanded version of an article published in print and online by The Canberra Times on 28 January 2019. Canberra’s remarkable performer, mentor and choreographer, Liz Lea, has once again taken on the mammoth task of presenting BOLD, a festival she founded in 2017 in anticipation of it becoming a biennial event. In that inaugural year, Lea boldly
17 January 2019. The Playhouse, Canberra Theatre Centre. Here is a slightly expanded version of my review of Coppélia in its storytime form. The review has already appeared in The Canberra Times online but is yet to appear in print.* This Coppélia is the third production in the popular Storytime Ballet series produced for young people by the Australian Ballet.
All good wishes for 2019 and my grateful thanks to all who have visited this site over the past year, especially those who have taken the time to comment. And of course special thanks to my co-contributor, Jennifer Shennan, who throughout the year opened our eyes to what was happening in the New Zealand dance world. New artistic directors Both