I was moved reading Jennifer Shennan’s recent review from Auckland’s Tempo Festival, in which she discussed Douglas Wright’s latest work, M_Nod, and in which she also referred to Wright’s current health issues. My mind went racing back to 1993—it was the year that Wright’s Gloria was first performed in Sydney as part of a Sydney Dance Company season. Those were the
5–13 October, 2018. The Vault, Q Theatre, Auckland. Tempo Dance Festival Reviewed by Jennifer Shennan Between Two is a tandem of two 15 minute choreographies. The first, Tipu, is by Kelly Nash. The second, M₋Nod, is by Douglas Wright. Although not designed as such, the two works act as prologue and epilogue to each other. It is a perfect program. Less
2 October 2018. Canberra Theatre The last ‘superstar’ ballet gala I saw was in New York in 2010. It featured eight male dancers and was called Kings of the dance. Such seasons are not common in Australia, but a new Canberra-based organisation, Bravissimo Productions, has made a commitment to remedying this situation. They have staged a two night, Canberra-only season
What’s coming in 2019 Both the Australian Ballet and Queensland Ballet have announced their 2019 season programs and details can be found on their respective websites: The Australian Ballet; Queensland Ballet. Both companies have an exciting range of works to tempt us in 2019. I am especially looking forward to Dangerous Liaisons, a new work by Liam Scarlett for Queensland Ballet based
22 & 23 September 2018. National Portrait Gallery, Canberra The National Portrait Gallery in Canberra has once again supported dance as an adjunct to its exhibition program. In conjunction with So Fine, an exhibition celebrating work made by contemporary women artists, Ruth Osborne has created four short dance pieces under the umbrella title Strong and Brave. The four works reflect
22 September 2018. The Playhouse, Canberra Theatre Centre The Australian Ballet School’s annual Showcase came to Canberra this year, and what a treat it was. It is, of course, what it says it is, a showcase of dancing by students of different levels studying at the Australian Ballet School. But it was such an interesting and pleasurable experience to see
20 September 2018. Te Rauparaha Stadium, Porirua Reviewed by Jennifer Shennan Crying Men broke powerful new ground for Black Grace and director Neil Ieremia in a three-performance season at Te Rauparaha stadium in Porirua. The opening work, Gone, resulted from a recent workshop conducted with 16 pupils from local schools, Porirua College, Mana College and Aotea College. Its taut atmosphere centred
The National Gallery of Australia, with support from the Embassy of the United States of America, has just finished hosting a dance residency in conjunction with its exhibition American Masters 1940–1980. Three dancers were selected to work with Jamie Scott, a former Cunningham dancer and now one of a number of such dancers charged with staging the Cunningham repertoire. The
The 2018 Australian Dance Awards, the 21st since the current format was introduced in 1997, were held in Brisbane on 8 September. Initially they were held annually in Sydney and followed on from the Dancers’ Picnic initiated by Keith Bain to celebrate International Dance Day (29 April). Now they are more inclusive in terms of where they are held with
7 September 2018. Lyric Theatre, Queensland Performing Arts Centre, Brisbane Ben Stevenson’s Cinderella, which Queensland Ballet performed in its latest season, was first made in 1970, almost 50 years ago. I’m afraid it is showing its age a little. While Queensland Ballet’s dancers go from strength to strength every time I see them, I think they need something more powerful