I have had an ongoing interest in archiving dance for almost three decades, fuelled in particular by curatorships at the National Film and Sound Archive and the National Library of Australia in Canberra, and the Jerome Robbins Dance Division at the New York Public Library for the Performing Arts. They were three quite different experiences, especially in relation to the
My review of Giselle with the Australian Ballet is now available on DanceTabs at this link. I am disappointed that I was not able to be more positive in this review. But the experience did set me thinking about the importance of every character in a narrative ballet having a strong vision of where their character fits within the overall
My review of Sydney Dance Company’s new program, Frame of Mind, encompassing William Forsythe’s Quintett and Rafael Bonachela’s Frame of Mind, is now available on DanceTabs at this link. This program was ecstatically received on opening night, 9 March 2015 at Sydney Theatre, and deservedly so. It tours to Canberra in April–May and Melbourne in May. The Forsythe piece, danced to
Now that my book, Dame Maggie Scott: a life in dance, has been published, I have returned to my research into the life and art of Kristian Fredrikson. My article ‘Undercover designs’ will appear in the forthcoming issue (March 2015) of The National Library of Australia Magazine. The research behind this article reflects part of the work I did on the film Undercover (costume design
21 February 2015 (matinee), Capitol Theatre, Sydney Graeme Murphy’s Swan Lake is currently making a return to the stage for a brief season at the wonderfully ornate Capitol Theatre in Sydney’s Haymarket district. I was lucky enough to have a ticket for a performance with Juliet Burnett as Odette, Rudy Hawkes as Siegfried and Miwako Kubota as the Baroness von
12 February 2015. Courtyard Theatre, Canberra Theatre Centre as part of Canberra Multicultural Fringe James Batchelor began working on Metasystems in 2014 for the inaugural Keir Choreographic Award, an award dedicated to commissioning new work and promoting innovation in contemporary dance. Batchelor was a semi-finalist in the award. A longer version of Metasystems was recently performed in Canberra as part
I am thrilled to welcome Jennifer Shennan as a contributor to this website. Based in Wellington, New Zealand, Jennifer is a renowned dance writer whose major publications include A Time to Dance: the Royal New Zealand Ballet at 50 (Wellington: RNZB, 2003) and The Royal New Zealand Ballet at 60 (Wellington: Victoria University Press, 2013), which she edited with Anne
At the end of this month, members of the dance community will come together in both Melbourne and Wellington, to honour Harry Haythorne who died in November 2014. Today Philippe Charluet, film maker extraordinaire, sent me a link to some footage he had edited. It shows Harry rehearsing for and performing in Tivoli, and it includes that wonderful tap dancing routine. We are
17 January 2015, Carriageworks, Eveleigh (Sydney). Sydney Festival 2015 My review of the Sydney Festival production of Inside There Falls, a collaboration between London-based artist and musician, Mira Calix, and Sydney Dance Company, has been posted on DanceTabs at this link. In addition to the photographs published with the article, most of which were kindly supplied by the Sydney Festival,
When the Chitrasena Dance Company first came to Australia it was 1963. I was still a student dancer and living in Sydney. The company performed at the Elizabethan Theatre, Newtown. It hadn’t yet burnt down (that happened in 1980), and in fact I remember the startling rake on that theatre’s stage. I had never performed on a raked stage when