Douglas James Wright, dreamer of dancesby Jennifer Shennan Douglas Wright, dancer, choreographer, writer, poet, visual artist, has died at the age of 62. An obituary is normally about the deceased, but I begin with my declaration of conflict of interest (actually, deeply shared interest)—namely, that Douglas is the single most important artist in my life. His fearless vision through an
7 November 2018. Lyric Theatre, Queensland Performing Arts Centre, Brisbane I thought I was reasonably familiar with the Nureyev production of Don Quixote, having seen the Australian Ballet’s production multiple times. But no! What La Scala Ballet gave us on its first-ever tour to Australia seemed like a completely different ballet. It was a very European production, in part due
Every year Canberra’s young dancers audition for the Chaos Project staged by QL2. The umbrella name suggests the chaotic situation with which the project begins—in 2018 there were 45 young dancers, boys and girls, aged from eight upwards. But of course by the time the show hits the stage the chaos is gone and, despite the age and experience of
17 October 2018. Roslyn Packer Theatre, Sydney On a double bill program it would be hard to find two dance works as diametrically opposed, or so it seemed on the surface, as Rafael Bonachela’s Frame of Mind and Antony Hamilton’s Forever & Ever. Together they made up Sydney Dance Company’s newest season, which goes under the umbrella name of Forever
12 October 2018. The Street Theatre, Canberra. Canberra Dance Theatre Stephanie Burridge first choreographed MIST in Singapore (where she lives and works) in 2016. She came to Canberra to oversee its staging as part of the 40th anniversary celebration for Canberra Dance Theatre, where Burridge was artistic director from 1978 to 2001. Its original cast was Kailin Yong, violinist and
I was moved reading Jennifer Shennan’s recent review from Auckland’s Tempo Festival, in which she discussed Douglas Wright’s latest work, M_Nod, and in which she also referred to Wright’s current health issues. My mind went racing back to 1993—it was the year that Wright’s Gloria was first performed in Sydney as part of a Sydney Dance Company season. Those were the
5–13 October, 2018. The Vault, Q Theatre, Auckland. Tempo Dance Festival Reviewed by Jennifer Shennan Between Two is a tandem of two 15 minute choreographies. The first, Tipu, is by Kelly Nash. The second, M₋Nod, is by Douglas Wright. Although not designed as such, the two works act as prologue and epilogue to each other. It is a perfect program. Less
2 October 2018. Canberra Theatre The last ‘superstar’ ballet gala I saw was in New York in 2010. It featured eight male dancers and was called Kings of the dance. Such seasons are not common in Australia, but a new Canberra-based organisation, Bravissimo Productions, has made a commitment to remedying this situation. They have staged a two night, Canberra-only season
What’s coming in 2019 Both the Australian Ballet and Queensland Ballet have announced their 2019 season programs and details can be found on their respective websites: The Australian Ballet; Queensland Ballet. Both companies have an exciting range of works to tempt us in 2019. I am especially looking forward to Dangerous Liaisons, a new work by Liam Scarlett for Queensland Ballet based
22 & 23 September 2018. National Portrait Gallery, Canberra The National Portrait Gallery in Canberra has once again supported dance as an adjunct to its exhibition program. In conjunction with So Fine, an exhibition celebrating work made by contemporary women artists, Ruth Osborne has created four short dance pieces under the umbrella title Strong and Brave. The four works reflect