Here today, gone tomorrow. Christina Gallea Roy
…in London and Paris in the 1960s including teachers Audrey De Vos and Nora Kiss (Madame Nora), choreographer Léonide Massine and dancer and teacher Rosella Hightower. The bulk of the book though records their life on the road travelling up and down England, across Europe, in Asia and through the Americas. It is an astonishing and absorbing story and full of marvellous, often hilarious anecdotes. Their repertoire was broad and largely original. Muc…
Coppélia. Australian Conservatoire of Ballet
…gement with everything and everyone on stage. I just loved the way he blew kisses across the stage to Swanilda as she was about to start a variation in Act III. Another standout performer was the young girl, Hana Glasgow-Palmer, who played Swanilda’s little sister. Too young yet to be part of the Conservatoire’s professional training program, she nevertheless gave the role real character. Her outstanding stage presence and, again, that ability to…
Woolf Works. The Royal Ballet
…of Clarissa Dalloway; Jenny Seton, the close friend whom Clarissa famously kisses; Peter Walsh, the man Clarissa didn’t marry, perhaps to her ongoing regret; and Septimus Warren Smith, the shell-shocked former soldier who eventually commits suicide, never being able to overcome his thoughts about the death of a soldier friend in World War I. But such knowledge isn’t entirely necessary as I now, I then stands on its own as a work about relationship…
Anzac Day 2020 in Australia. Who’s dancing?
…er but separately. Morehen stretches out to him but they never touch. They kiss but their lips never meet. He lies on the floor and she steps over him crisscrossing her way along the body. They are astonishing moments and present a totally different take on memory from what we saw from Kim and Ramos. Later, the other four women enter with pairs of boots and poignantly place them on the floor. But nothing can equal the dream-like moments we spend w…
Ondine (2009). The Royal Ballet
…III when he sees a vision of Ondine prior to being involved in the fateful kiss that brings his life to an end. Watson’s acting and dancing was exceptional throughout but the last solo was absolutely engrossing. What was thrilling to watch was not simply the steps, which were beautifully formed and placed, but the way in which Watson’s entire body was involved at every moment. It was a perfect physical engagement. But the narrative was far from …
Arcadia, Le baiser de la fée, Still life at the Penguin Café. Birmingham Royal Ballet
…e when the Young Man (Lachlan Monaghan), whose fate was sealed when he was kissed as a baby by the Fairy (Jenna Roberts), dances with the bride as she prepares for the nuptials. For some that grand pas might make the work a little old-fashioned, but I loved the clarity of the piece and the way it moved inexorably to the finale when the Fairy claims the Young Man. And the designs by John F. Macfarlane were stunning in their decorative elements and…
Thursday. Borderline Arts Ensemble
…g tries to help you. Whoa! Who is this? All the longing you’ve always kept inside but never voiced out loud, your secret that you could love someone till the end of time, even if there is no such actual person, or, if there is, you’ll never meet, it’s just a longing that you’ve always lived—perhaps others have it too?—but how would you know because this is not anything you can talk about. That would be unlucky and you might be overheard by strange…
Valerie Grieg (1922–2013)
…l technique and how it can best be taught are contained in her publication Inside ballet technique: separating anatomical fact from fiction in the ballet class. Inside ballet technique was first published in 1994 by the Princeton Book Company and remains an essential guide to body mechanics and the anatomical laws behind classical ballet. Valerie Grieg modelling Prestige Ltd fabric, taken during the filming of ‘Fabrics in Motion’, Melbourne, Victo…
Trisha Brown Dance Company at the Tate Modern
…r way down the sloping entry space of the Turbine Hall. With hands joined, inside arms extended tautly and sides of the inside foot pushed against that of the partner, each pair of dancers walked a step at a time down the slope, each testing the extent to which he (or she) could lean to the side without losing balance. It was especially interesting to see, a little later in the Tate’s film tribute to Brown, such duets being performed in 1970 in wh…
New Zealand School of Dance, 2022. Performance Season
…olving through layered references, the weather outside towards the weather inside. All eight dancers were focussed and in form for this premiere performance, with Aidan Tully particularly noticeable in the cast. Verse Music: Antonio Martin Y Coll, Differencias sobre las Folias Physical calligraphy. A script embodied in flesh dedicated to Wellington arts patron, the late David Carson-Parker Verse, a solo, beautifully performed by Joshua Douglas, is…