Li’s Choice. Queensland Ballet

…Estévez whose character seemed to be in competition somewhat with that of Comlecki. (left) Mali Comlekci and Neneka Yoshida; (right) Victor Estévez. Elite Syncopations. Queensland Ballet, 2022. Photos: © David Kelly Elite Syncopations gave everyone in the cast a chance to let their hair down and clown around a bit. The funny thing was that, having seen this work performed by the Royal Ballet, on whom it was originally made by MacMillan in 1974, I…

Les illuminations. Sydney Dance Company

…ver Paul Verlaine were writing. Ideas were suggested as dancers prowled around their long, narrow space casting telling glances at each other. Nothing seemed obvious. Maticevski’s costumes, this time sleeveless bodysuits in black with the addition of a black feathered headdress worn by Barton and a black face mask worn by Bradley, suggested a kind of decadence to me, again part of the Symbolist mood. This second part of the program was certainly s…

Lost + Found [dances of exile]. Tempo Dance Festival

…de within my breast (as I recall, this was the first choreography not by Bodenwieser in that company repertoire), is collaged with the ecstatic backward lean of Dunlop as Cain in Cain and Abel, but both these images remain unidentified and uncaptioned. Many of those attending will have found the mystery and unpredicability of this work an engaging and refreshing experience. I personally find some degree of distraction in the encounters with other…

Rachel Rawlins retires

…lains that it is a special experience to feel the freedom of movement that comes with being part of a group and being able to bond with other dancers onstage. But of course she has consistently danced leading roles in more traditionally structured ballets and has been acclaimed for her performances in classical works and dramatic ballets such as The Sleeping Beauty, Giselle, Manon, Onegin, Madame Butterfly, Romeo and Juliet  and a host of others….

An Australasian affair …

…oul Gnatt, who looked around, hunched that New Zealand might like a ballet company, returned to found one the following year—and the rest is history. Peggy van Praagh was involved in staging several productions for New Zealand Ballet in early years here, not least Tudor’s Judgment of Paris. She and Russell Kerr arranged for dancer exchanges between Australian and New Zealand companies, and also masterminded two landmark fortnight-long residential…

Seamless. Australian Dance Party

…oned work was Seamless and it took a look at the fashion industry. We have come to see Plevey’s work as an unapologetic comment on those aspects of society and politics that she feels strongly about. Seamless began by taking a look at models and their behaviour, and the stage that was set up in Haig Park was T-shaped in the manner of a catwalk. The dancers wore an amazing assortment of clothing, from grunge to glamour (not to mention underwear). B…

A New Era. The Australian Ballet in 2021

…New York and Bolshoi Ballet in Moscow, as well as guest seasons with major companies around the world, including an extended position as principal guest artist with the Royal Ballet, it has seemed obvious that he would have much to offer. His contacts, and his wide personal experience, would ensure that he would be able to bring a diverse repertoire of works to the Australian Ballet. The announcement of the Australian Ballet’s season for 2021 show…

Unhinged. The Training Ground

…production feature was the film that so often took on the role of a background set. Created by Trent Houssenloge and Chris Curran of Cowboy Hat Films, the film component was at times a fluid, abstract image, but at other times it was a 3D creation that seemed to set the dancing in a space beyond the stage. At times the setting was an outdoor venue, at others an inside view of an artist’s studio or factory. A wonderful addition to the production. U…

Merce Cunningham and William Forsythe. Paris Opera Ballet

…d of his time I mused. The title Walkaround Time, according to Cunningham, comes from computer language. ‘You feed the computer information then you have to wait while it digests.’** Cunningham mentions, however, that it isn’t clear whether it is the computer or the user who is doing the walking around, although for him it is clearly the people! Artists of Paris Opera Ballet in Walkaround Time, 2017. Photo: Ann Ray/Opéra national de Paris The danc…

Paul Knobloch joins Sydney Dance Company

…ra dancer Paul Knobloch who will be joining Sydney Dance Company for its upcoming 45th anniversary tour to Western Australia, Queensland and regional New South Wales. The company will be taking their multi award winning work, 2 One Another, on this tour which will take in small and large cities from Perth to Mackay to Dubbo. Earlier this year Bonachela explained his interest in regional touring: ‘The regional touring is something very close to my…